DASH Archives - July 2008

Ancel news 08

From: Franck Ancel <info@FRANCK-ANCEL.COM>

Date: Mon, 30 Jun 2008 18:40:09 +0200

Dear Friends and Colleagues,
Enjoy here my next actions!

"No Space for this Time"
communication @ ISEA Symposium - Singapore 25-31/07/08
http://www.isea2008singapore.org

"Dharma > The Red Breath < Initiative"
work in progress @ Cellsbutton Festival - Yogyakarta 10-19/08/08
http://www.natural-fiber.com

"GPS Light # 1"
installation @ Mazarine Bookshop - Paris 09/09/08
http://www.lamazarine.fr

"1958-2008 : from Philips Pavilion to Explorer Art"
performance @ Cyberspace - Internet 19/10/08
http://www.franck-ancel.com/atx

"Du corps physique à la virtualité contemporaine"
communication @ IN3 Symposium - Basel 20-23/11/08
http://www.in3.ch

Namasté.
FA

Contacts Franck Ancel
Paris +33 676 470 610
info@franck-ancel.com





























Dear Friends and Colleagues,

Enjoy here my next actions!



"No Space for this Time"

communication @ ISEA Symposium - Singapore 25-31/07/08

http://www.isea2008singapore.org



"Dharma > The Red Breath < Initiative"

work in progress @ Cellsbutton Festival - Yogyakarta 10-19/08/08

http://www.natural-fiber.com



"GPS Light # 1"

installation @ Mazarine Bookshop - Paris 09/09/08

http://www.lamazarine.fr



"1958-2008 : from Philips Pavilion to Explorer Art"

performance @ Cyberspace - Internet 19/10/08

http://www.franck-ancel.com/atx



"Du corps physique à la virtualité contemporaine"

communication @ IN3 Symposium - Basel 20-23/11/08

http://www.in3.ch



Namasté.

FA



Contacts Franck Ancel

Paris +33 676 470 610

info@franck-ancel.com


cfp: 2008 Film & History Conference | =?ISO-8859-1?Q?=93Film?= & S cience: Fictions, Documentaries, and Beyond (Ch icago)

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Sun, 6 Jul 2008 07:23:12 +1000

Forwarded from the Diatrope list (see below):

CFP Deadline: August 1, 2008

More information: SCIENTIFIC ICONS Area, see http://www.uwosh.edu/filmandhistory

More information: Women in the Sciences Area, see  http://www.filmandhistory.org

2008 Film & History Conference “Film & Science: Fictions,  
Documentaries, and Beyond”
October 30-November 2, 2008
Chicago, Illinois

________________________________________________________________

This message was from the Diatrope Art & Science discussion.
For information, archives, or to subscribe, please see
http://webexhibits.org/about/diatrope.html

====
Paul Brown - based in OZ 4-23 July 08
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 5443 3491 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

Bletchley Park Sells its Broken Roof Slates to Raise Funds

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Tue, 8 Jul 2008 05:26:28 +1000

Own a bit of history. See:

   http://www.bletchleypark.org.uk/news/docview.rhtm/523520

Bletchley Park Sells its Broken Roof Slates to Raise Funds
Released : 13 June 2008
Buy a genuine piece of Bletchley Park and raise funds for Bletchley  
Park Trust
On 28 May Bletchley Park Trust reported the desperate state of some of  
its historically remarkable buildings, including some of the symbolic  
Codebreaking Huts.  The iconic Victorian Mansion requires in the  
region of £1,000,000 for repairs to the roof, but whilst the Trust  
works tirelessly to raise funds to pay for this, some interim patching  
up is being done, simply to stop the rain from pouring in.  Now some  
of the Bletchley Park Volunteers have come up with a fund raising  
plan; to sell the pieces of slate that are being replaced to souvenir- 
hunters as a genuinely unique piece of history.
So if you would like to be the proud owner of a piece of Bletchley  
Park and help raise valuable funds to preserve it, please contact the  
Bletchley Park Shop click on this link

http://www.bletchleypark.org.uk/shop/view_product.rhtm/130858/524668/detail.html 
  for a £5 small piece of slate and this link

http://www.bletchleypark.org.uk/shop/view_product.rhtm/130858/524672/detail.html 
  for a £10 larger piece.  Each purchase includes a certificate of  
authenticity.

To make on online donation to Bletchley Park Trust, please go to http://www.bletchleypark.org.uk/shop/changeDonate.rhtm/-1
Petition lobbying the Prime Minister to act to help preserve Bletchley  
Park please go to http://petitions.pm.gov.uk/BletchleyPark/

ï® ENDS –
Media Contacts;-
• Kelsey Griffin, Events and Publicity Manager, Bletchley Park Trust,  
01908 640404,  kgriffin@bletchleypark.org.uk
• Caroline Murdoch, Redworks PR, 01869 810 443,  
caroline@redworks.co.uk.

====
Paul Brown - based in OZ 4-23 July 08
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 5443 3491 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

cfp: Science and Technology in World History (Special Issue)

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Mon, 14 Jul 2008 12:07:02 +1000

The World History Bulletin is still accepting materials for the Fall  
2008
issue focusing on Science and Technology in World History.  Authors  
should
send articles, classroom lessons, and/or mini-essays to
Micheal Tarver at either mtarver@atu.edu or bulletin@thewha.org.  The
deadline for submissions is 15 September 2008. Submission guidelines are
available online at www.thewha.org/WHB.pdf

====
Paul Brown - based in OZ 4-23 July 08
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 5443 3491 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

Special Offer: A Computer in the Art Room

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Tue, 15 Jul 2008 21:11:43 +1000

A new book on the history of British digital arts is published
this month:

A Computer in the Art Room:
the origins of British computer arts 1950-80
by Catherine Mason
with a Foreword by Professor Clive Richards
Coventry School of Art & Design
published by JJG: 2008

SPECIAL OFFER FOR CAS / DASH LIST:  £17.50 to include UK & Europe
postage (to US, Canada & Australia - postage £10.00)

Order from http://www.catherinemason.co.uk/ and pay with Paypal

This book uncovers the little-known history of early British
computer arts.  An amazing story, it is hard to comprehend that
before the onset of personal computers, propriety software and
the internet there was a real struggle for access which touched
off an explosion of true British pioneering spirit.  The art
schools which played a crucial role in fostering these important
cross-disciplinary digital collaborations are described for the
first time here, along with over 140 illustrations, many not seen
in print before.

Based on four years of research and numerous interviews with
practitioners, the book introduces British artists in the
post-war period who were inspired by science and began to
consider the use of computing. They found the requisite
technology and expertise at innovative art schools including the
Royal College of Art, the Slade School of Art and regional
polytechnics. The battle for acceptance may have been won but the
provenance of computer arts and its direct links back to
cybernetics in the 1950s and 1960s is a unique and previously
unpublished period of art history.  These pioneers had a real
vision of the arts and sciences coming together for greater
understanding and creativity on both sides.  With the opening
chapters titled “White Heat” and “British Art Postwar” the nine
chapters conclude with “Computer animation” and include
biographical essays on the likes of Roy Ascott, Richard Hamilton,
Edward Ihnatowicz, Darrell Viner, Stephen Willats and other
protagonists.  This develops into a scholarly source book laced
with exciting elements of artistic adventure.

About the author:

Catherine Mason began researching the history of British computer
arts at Birkbeck, University of London with the CACHe Project
(Computer Arts, Contexts, Histories, etc.), funded by the UK’s
Arts & Humanities Research Council.  In 2006 she produced Bits in
Motion, a screening of early British computer animation, at
London’s National Film Theatre.  She has contributed to Futures
Past: Twenty Years of Arts Computing published by Intellect, 2007
and White Heat, Cold Logic: British Computer Art 1960-1980,
forthcoming MIT Press.

====
Paul Brown - based in OZ 4-23 July 08
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 5443 3491 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

GAZING INTO THE 21st CENTURY

From: Oliver Grau <oliver.grau@DONAU-UNI.AC.AT>

Date: Wed, 16 Jul 2008 23:40:32 +0200

GAZING INTO THE 21st CENTURY 

Second international conference on Image Science in Goettweig
October 16th -18th 2008 
www.donau-uni.ac.at/dis 

Never before has the world of images changed so fast and the way images are produced transformed so drastically as in recent times. Second Life, Micromovies, Flickr, Virtual Reality, YouTube, Visual Music, Scientific Visualisation, Google Earth etc. are keywords standing for a multitude of new possibilities for individual producing, projecting and distributing of visual material. 

The images’ historical development between innovation, reflection and iconoclasm reaches a new level of global complexity in the 21st century. These transformations have hit society to a large extent unprepared. Nevertheless we have to recognize that we will not be able to handle the knowledge burst of our time without further development of new forms of visualization and “orders of visibility”.

What inspiration do these new worlds of images gain from art? What influence does the medium have on the iconic character of the image? What chances and challenges do image dealers and museums face with the “liquidity” of the image?

Together with international colleagues from science and art and keynotes by Felice FRANKEL (Harvard University, MIT), Barbara STAFFORD (Chicago) and Peter WEIBEL (ZKM) the conference will discuss the inventory, classification and historiography of the recent worlds of images concerning the worlds of art, popular culture and science. 

The lectures and discussions will cover the following topics:

* NEW IMAGE FORMS AND TECHNIQUES  

* NEW STRATEGIES IN VISUAL ARGUMENTATION

* NEW PRACTICES OF IMAGE TRANSFER  

Lectures among others by: Prof. Dr. Marie-Luise ANGERER, KHM; Dr. Elize BISANZ, University Lueneburg; Prof. Dr. Oliver GRAU, Danube University; Dr. Stefan HEIDENREICH, Humboldt-University Berlin; Mag. Jan HENSELDER, Berlin; Dr. Susanne HOLSCHBACH, HGB Leipzig; Dr. Harald KRAEMER, University Bern; Prof. Dr. Ann-Sophie LEHMANN, University Utrecht; Mag. Katja MAYER, University Vienna; Prof. Michael NAIMARK, University of Southern California; Michael NAIJAR, Berlin; Tim Otto ROTH, Koeln; Susanne SCHUMACHER MA, University Zuerich; Dr. David STEINMAN, University of Toronto; Dr. Dolores STEINMAN, University of Toronto; Prof. Dr. Nicolay VAN DER MEULEN, University Basel; Dr. Ingeborg REICHLE, BBAW Berlin; PD Dr. Martin SCHULZ, HfG Karlsruhe.

At the same time an exhibition of scholarly POSTERS chosen by a jury from the international call with applicants from 19 countries is taking place at the DIS.

Information and registration: 
http://www.donau-uni.ac.at/dis/goettweig2008 

*  *  *

The DEPARTMENT FOR IMAGE SCIENCE is situated in the Goettweig Monastery in the UNESCO World Heritage Wachau near Vienna. 

*  *  *

ADVISORY BOARD MEMBERS of the Department for Image Science (DIS) 
* www.donau-uni.ac.at/dbw  * 

Mag. Carl AIGNER (St. Poelten), Prof. Dr. Brigitte FELDERER (Vienna), Prof. Dr. Felice FRANKEL (Boston), Dr. Harald KRAEMER (Bern), Prof. Dr. Goetz POCHAT (Graz), Prof. Dr. Wolf SINGER (Frankfurt), Prof. Dr. Christa SOMMERER (Linz); Prof. Dr. Wolfgang WELSCH (Jena)