Elaine O’Hanrahan, CAS member and curator of The D.P. Henry Archive, is pleased to announce details of the forthcoming exhibition:

Desmond Paul Henry,

Manchester Pioneer of Computer Art

Venue: Manchester’s Museum of Science and Industry (MOSI), 1830 Warehouse, Second Floor

Dates: Monday 7^th February 2011 – Saturday 7^th May 2011

Admission: free

Opening hours: 10.0am to 5.00pm every day.

Public Information number: 0161 832 2244

Visiting information: www.mosi.org.uk

Free tours by arrangement with the exhibition’s curator: elaineohanrahan@googlemail.com

Desmond Paul Henry (1921-2004), British computer art pioneer of the 1960s, is the subject of a forthcoming retrospective to be held at Manchester’s Museum of Science and Industry. This exhibition celebrates the artwork created by the mechanical drawing machines constructed by Henry from World War Two bombsight computers. Visitors will have the opportunity to view a range of unique Henry originals and learn about the historical beginnings of Computer Graphics.

www.desmondhenry.com

The Computer-Generated Films of the Whitney Brothers 

Yantra (1957, 10min), Permutations (1968, 10min), Binary Bit Patterns (1969, 3min), Experiments in Motion Graphics (1970, 19min), Matrix 1,2 & 3 (1973, 6+6+10min), Catalog (1975, 7min).

A selection of films by John and James Whitney, pioneers in the field of computer animation. Tonight's screening will be accompanied by examples of other computer films of the era, including work from commercial labs such as IBM, where John Whitney was an artist-in-residence in the late 60s.

With an extended introduction by Dr Andrew Utterson, Senior Lecturer at Canterbury Christ Church University, and author of 'From IBM to MGM: Cinema at the Dawn of the Digital Age'.

Thu 13 Jan, 6.10pm
BFI Southbank, NFT3

Tickets £9.50, Concs £6.75 (BFI Members pay £1.50 less) 
Box office: 020 7928 3232   
Tube: Waterloo

This screening is part of Essential Experiments, the BFI's monthly strand dedicated to the history of experimental cinema.
Curated in partnership with Kingston University.

deCordova Sculpture Park and Museum
51 Sandy Pond Road
Lincoln, MA 01773

FOR IMMEDIATE RELEASE

Contact: Susie Stockwell, External Affairs Coordinator
sstockwell@decordova.org, 781.259.3620

Drawing with Code:
Works from the Anne and Michael Spalter Collection
Opens January 29, 2011 at deCordova

Lincoln, MA, January 10, 2011 – DeCordova Sculpture Park and Museum is pleased to
announce that director of the Boston Cyberarts Festival and former deCordova curator of New
Media, George Fifield, will curate an exhibition of the earliest computer drawings, prints, and
animations by the field’s innovators. Curated from the Providence-based collection of Anne and
Michael Spalter, Drawing with Code is one of the first American museum exhibitions to
document broadly this early period of new media art. The exhibition will be on view from
January 29 – April 24, 2011 to coincide with the 2011 Boston Cyberarts Festival. DeCordova has
been supportive of new media artwork since the 1980s and, since its inception in 1999, has
subsequently participated in every Boston Cyberarts Festival. The Public Opening Reception
will be held Saturday, February 5, 2011, 7-9pm at deCordova.

Drawing with Code will feature computer-generated art from the 1950s to the mid-1980s
alongside the more recent work of these early practitioners. Starting with the seminal
Electronic Abstraction 4, 1952, by Ben Laposky, a silver gelatin print of an abstract image from
an oscilloscope screen and possibly the earliest artwork in existence made using a computer, the
exhibition will present 40 works of 21 pioneering artists, including Jean-Pierre Hébert, Manfred
Mohr, Vera Molnar, Mark Wilson, Stan VanDerBeek, Roman Verostko, and Edward Zajec, who
had the foresight to see the creative possibilities of the dawning computer age. As our lives are
becoming increasingly digital, it serves us well to remember a time when computers were
clunkier—if not simpler—creatures. This was an era when, in the words of programmer and
artist Harold Cohen, “You used card-punch machines to punch your program onto IBM cards…
There was little chance you would get any results the same day, [and what you would often get]
was a cryptic message saying that there was a missing comma on card seventy-three.” The prints
and drawings in Drawing with Code represent some of the most elegant and innovative images
from this bygone computer era.

Drawing with Code provides a window into the past with some of the best examples of an
incredibly productive collaboration between technology and art. In addition, the exhibition will
present a group of the earliest computer animations produced at Bell Labs under the auspices of
Kenneth Knowlton. Knowlton was a pioneer researcher in computer graphics at Bell Lab’s
Murray Hill facilities in New Jersey and invited a number of artists to the lab, including Lillian
Schwartz and the experimental filmmaker Stan VanDerBeek. While primitive by today’s standards,
these animations revolutionized the field and paved the way for the wealth of computerized media we see today.
Director Dennis Kois noted: “DeCordova has been an enthusiastic supporter of computergenerated
art and new media since the 1980s—in 1994, George Fifield curated an exhibition at
deCordova with now Deputy Director of Curatorial Affairs Nick Capasso entitled Computer in
the Studio—and we are proud to now blaze a trail in documenting the history of the medium. The
Spalter collection is among the most important troves of this early, and now rare, material in the
world.”

This exhibition is organized by guest curator George Fifield, independent curator of new media,
founding director of Boston Cyberarts, Inc. and adjunct faculty at the Digital + Media
Department at the Rhode Island School of Design. Fifield has a long-lasting relationship with not
only deCordova, but also with Anne and Michael Spalter; Continuum, an exhibition featuring
part of the Spalters’ extensive collection, was included in Fifield’s Cyberarts Festival 2009 and
was comprised of experimental digital computer animations from the 1960s.

Equally passionate about computer-generated art, Providence-based Anne and Michael
Spalter are major collectors and boast the largest private collection of its kind. Work has been
lent to leading institutions such as the Victoria and Albert Museum in London and the Museum
of Modern Art in New York, which organized On Line: Drawing Through the Twentieth Century
this fall, featuring work from the Spalter collection. In addition, Anne Spalter published The
Computer in the Visual Arts (1999), “the first comprehensive work to combine technical and
theoretical aspects of the emerging field of computer art and design,” according to artist and
author James Faure Walker. Mrs. Spalter also combined math, science, and design to create the
first computer fine art courses at Brown University and Rhode Island School of Design.


Educational Programming
All programs are free with Museum admission unless otherwise stated.

Winter Exhibitions Opening Reception
Saturday, February 5, 2011, 7–9pm

Artist Talks
Meet some of the artists whose work is exhibited in Drawing with Code and hear the inside
perspective on their work, process, and creative inspirations. Talks begin at 3pm in the 3rd Floor
Lobby, and will be followed by a brief Q & A period.

Manfred Mohr
Saturday, February 5, 3pm

Mark Wilson
Saturday, March 12, 3pm


Eye Wonder Family Program
Sunday, March 6, 1–3pm

Panel Discussion at MIT, moderated by John Maeda, President, Rhode Island School of Design
Tuesday, March 8, 7pm
Bartos Auditorium, MIT Campus
Join deCordova and MIT for an evening event focused on how the computer has creatively
influenced both the visual and literary arts in this panel discussion. Hear from Drawing with
Code curator George Fifield, exhibiting artist Mark Wilson, and writers who employ computers
in their creative practice as they discuss the history behind this fascinating intersection between
science and art. Held in collaboration with MIT’s Purple Blurb series, this event is co-organized
by deCordova and MIT.

Curator Talk: Guest Curator, George Fifield with Douglas Dodds, Senior Curator, Word
and Image Department, Victoria and Albert Museum, London.
Saturday, April 23, 3pm

Cell Phone Audio Tour
Listen to artists explain how they manipulated early computers to create stunning works of art,
hear collectors Anne and Michael Spalter discuss why they collect this compelling
work, and learn how this show was curated and installed, from guest curator George Fifield.

Family Gallery Guides
Gallery Guides are available throughout the museum and provide information about
Drawing with Code: Works from the Anne and Michael Spalter Collection in a family-friendly
way.

About deCordova
DeCordova Sculpture Park and Museum was established in 1950 to educate the public about
American contemporary art. DeCordova’s unique campus features both indoor and outdoor
venues, allowing its visitors to celebrate and explore contemporary art across 35 acres. Inside,
the Museum features a robust slate of rotating exhibitions and innovative interpretive
programming. Outside, deCordova’s Sculpture Park hosts more than 60 works, the majority of
which are on loan to the Museum. DeCordova also offers the largest non-degree granting studio
art program in New England. DeCordova Sculpture Park and Museum attracts more than
100,000 visitors from New England and tourists from around the world to its campus each year
and enrolls more than 3,000 students of all ages in its studio art program.

General Information
DeCordova is open Tuesday through Sunday, from 10am to 5pm and on selected Monday
holidays. General admission during Museum hours is $12 for adults; $8 for senior citizens,
students, and youth ages 6-12. Children age 5 and under, Lincoln residents, and Active Duty
Military Personnel and their dependents are admitted free. The Sculpture Park is open year-round
during daylight hours. Guided public tours of the Museum’s main galleries take place every
Thursday at 1pm and Sunday at 2pm.


====
Paul Brown - based in the UK Nov - Feb 2011
mailto:paul@paul-brown.com == http://www.paul-brown.com
UK Mobile +44 (0)794 104 8228 == USA fax +1 309 216 9900
Skype paul-g-brown
====
Synapse Artist-in-Residence - Deakin University
http://www.deakin.edu.au/itri/cisr/projects/hear.php
Honorary Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

E X H I B I T I O N   D E S I G N  & MANAGEMENT (Certified Program) 
INTERNATIONAL PROGRAM in ENGLISH * Start April 16, 2011
 
The modularized, low-residency certified program *Exhibition Design
and Management* focuses on the conception and management of
exhibitions with a special eye on experiential worlds and immersive
exhibition strategies, and imparts the fundamental competencies of
contemporary exhibition practice. 
 
=> IN ENGLISH - After being offered 4 successful years in German, the
program will now step into the European scene and be offered for the
first time in English.  
 
=> EXPERTS - With a faculty of international experts: Prof. Herbert
LACHMAYER (Staging Knowledge; U.- Arts & Design, Linz), Gerfried
STOCKER
(director; Ars Electronica), Frank den OUDSTEN (designer, teacher,
writer, performer), Lutz ENGELKE (founder; Triad- Berlin), Martin
FRITZ
(curator, consultant, writer), Dr. Harald GRÃœNDL (founder; EOOS *
Vienna), Pat MUNRO (exhibition evaluator), Dr. Dieter BOGNER (museum
planner), Prof. Jorge WAGENSBERG (scientific director; Fundacio *la
Caixa*, Barcelona, Becky GILBERT (board member; European Fundraising
Association), Dr. Dieter RONTE (art museum director; Hannover, Bonn,
Krems) and others. Case-studies and best-practice examples from today
and tomorrow will be shown for their far-reaching insights into the
contemporary varieties of exhibiting.
 
=> PROGRAM - The certified program is a part of the post-graduate
masters program at the Department for Image Science, under the
direction
of the American exhibition developer Wendy Jo COONES, M.Ed., who has
been a part of the realization of 60 international exhibitions. Based
on
the needs and schedules of the students, the credits earned in
Exhibition Design and Management can be combined with other programs
to
upgrade to an academic expert or masters degree.
 
=> MODULES
Module 1: From Theory to Practice: competent planning and organization
of exhibitions 16. - 24. April 2011
 
Module 2: From the Practice to Preparation: professional realization
of
exhibitions 05.11.2011 -17.11.2011
 
=> CONTENT OF TEACHING - In our modern knowledge society, exhibitions
are more than just presentations of artifacts; they enable experiences
to take place in special staged spaces with a variety of purposes.
Exhibitions inform, entertain and animate. Whether for a museum, theme
park, science center, exhibit hall, or experimental world * a
harmonious visitor experience can only be accomplished through
sensible
implementation of design and organizational knowledge. 
 
=> FACTS - The program addresses anyone who needs current skills and
competencies for handling the realization of exhibition projects. For
example: Staff in museums, collections and similar institutions,
promoters and curators of science or art/ culture, and staff in
tourist,
fair or theme park establishments. 
 
More information on the program and application
www.donau-uni.ac.at/exhibit 
 
 
=> DANUBE UNIVERSITY KREMS - located in the UNESCO world heritage
Wachau, 70 km from Vienna, is the only public university in Europe
specializing in advanced continuing education by offering
low-residency
degree programs for working professionals and lifelong learners. Our
students & faculty members come across Europe and beyond. Without
interrupting their career, students have the opportunity to learn
through direct experience, social learning in small groups and
contacts
with institutions and specialists. 
The Center in Monastery Goettweig, where most Exhibition Design and
Management courses take place, is housed in a 14th century building,
remodeled to fit the needs of modern research in singular
surroundings.

 
=> Contact  
Andrea Haberson
Department for Image Science
Danube University Krems
Dr.-Karl-Dorrek-Str. 30, A-3500 Krems
Tel: +43(0)2732893-2569 
andrea.haberson@donau-uni.ac.at  
www.donau-uni.ac.at/dis