DASH Archives - November 2011

Lecturer/Senior Lecturer Position

From: Leon Gurevitch <leon.gurevitch@VUW.AC.NZ>

Date: Tue, 1 Nov 2011 04:53:46 +0000

Apologies for cross posting.

Please see details of the Lecturer/Senior Lecturer position now open in the Culture and Context Department of Victoria University of Wellington’s School of Design: http://vacancies.vuw.ac.nz/positiondetail.asp?p=5881 

Please note that we are an interdisciplinary department (already employing media sociologist, an anthropologist, psychologist and historian) keen to encourage academics interested in pursuing their related field in conjunction with a design research platform.

Our department has been rapidly expanding its cross-disciplinary design research profile in recent years with two major, three year Royal Society (Marsden) projects awarded significant funding ($350,000 each) in 2010 and 2011 respectively (see Anne Galloway: Counting Sheep and Leon Gurevitch: Digital Workshops of the World).

For more details please do not hesitate to contact me at leon.gurevitch@vuw.ac.nz 

Regards,

Leon


Dr. Leon Gurevitch
Programme Director // Culture and Context Programme // Senior Lecturer //
The School of Design //139 Vivian Street // Victoria University of Wellington //
Wellington // Aotearoa-New Zealand // PO Box 600 // Office: +64 4 463 6207 //
www.drleongurevitch.com 

Job Opening: Full-Time Research Associate: Time-Based Media Collection, Pittsburgh, PA

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Mon, 7 Nov 2011 09:02:16 +1000

http://www.carnegiemuseums.org/interior.php?pageID=12

Carnegie Museum of Art seeks a research associate to
catalog, research, and document the museum's collection of
approximately 920 film, video, audio, and computer-based art works;
installations that incorporate time-based media; and related archival
materials. Working with the project team, s/he will also contributes
to efforts to codify and implement consistent standards and practices
for accessioning and cataloging time-based media work. The research
associate will play a crucial role in conserving the time-based media
collection and increasing public access to this important collection.

POSITION REQUIREMENTS: Master’s degree in moving image preservation or
an equivalent combination of academic training and work experience
required. Must have an advanced understanding of avant-garde film and
video history, as well as knowledge of moving-image metadata
standards; analog and digital video formats; and standards and
practices for film and video preservation and video digitization and
display. Excellent oral and written communication skills; strong
organizational capabilities; and the ability to work well with a wide
array of staff members and external experts are critical. S/he must
have the initiative to work without constant direct supervision and be
able to carry out responsibilities accurately and on deadline.
Proficiency with Microsoft Office programs and Web-based research is
required; will be expected to gain proficiency in KEmu collections
management software.


====
Paul Brown - based in OZ Oct 2011 to Mar 2012
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 3391 0094 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Synapse Artist-in-Residence - Deakin University
http://www.deakin.edu.au/itri/cisr/projects/hear.php
Honorary Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

Computer manufactured art in the Netherlands 1960ties to 1980. A conversation with Darko Fritz and Agam Andreas

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Sun, 13 Nov 2011 08:32:54 +1000

Computer manufactured art in the Netherlands 1960ties to 1980.
A conversation with Darko Fritz and Agam Andreas (Burgerwaanzin radioprogram from nictoglobe.com)

As broadcasted today between 18:00 20:00 CEST

Amsterdam Radio Patapoe, Program Burgerwaanzin

Now available at the Nictoglobe Radio Archive

Listen to archived show:

http://burgerwaanzin.nl/12112011part1.mp3
http://burgerwaanzin.nl/12112011part2.mp3

Enjoy!
Andreas Maria Jacobs

http://nictoglobe.com
http://burgerwaanzin.nl


====
Paul Brown - based in OZ Oct 2011 to Mar 2012
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 3391 0094 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Synapse Artist-in-Residence - Deakin University
http://www.deakin.edu.au/itri/cisr/projects/hear.php
Honorary Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

DANISH VIDEO ART DATA BANK donated to the University of Copenhagen

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Wed, 23 Nov 2011 12:27:03 +1000

VIDEO ARTe-monitor 31 THE DANISH VIDEO ART DATA BANK

November 23, 2011

With the special February No. 30 [February 8, 2005] THE DANISH VIDEO ART DATA BANK stopped publishing the newsletter, but since things have changed within the last couple of months we publish once again a newsletter  - No. 31.

Torben Søborg is happy to announce that University of Copenhagen / Institute of Art and Culture by action of professor Slavko Kacunko takes over The  Data Bank, The Archives of Independent Danish Video Art and the research project „Immaterial Variable Media / Video Art Preservation‰. It will all become part of the Processual Arts Center of Excellence (PACE) at the University.

The Archive will become a part of PACE under the name Torben Søborg Independent Danish Video Art Archive and PACE will also get all printed, written and digitalised material concerning the Data Bank and the distribution of Danish video art through 20 years. The websites of the Data Bank will also in the long term be part of PACE

The analogue video works in the Archive will in the long term be digitalised and become part of the infrastructure. Torben Søborg has required that the material must not be used for commercial purposes and must only be used / screened with the specific information that it a part of the Data Bank / Archive and under the auspices of the Institute / PACE.

The Archive represent the first about 20 years of independent Danish video art. Torben Søborg is very happy that this cultural heritage at length is taken care of and hopefully preserved ˆ not at least thanks to the initiative and work by professor Slavko Kacunko.

THE DANISH VIDEO ART DATA BANK
Themstrupvej 36, DK-4690 Haslev
Denmark
tel: +45-56.31.21.21
torben.soeborg@pc.dk
http://www.videoart.suite.dk
http://www.videoart-archives.dk
http://www.mediaart-preservation.dk
http://www.torben-soeborg.dk


====
Paul Brown - based in OZ Oct 2011 to Mar 2012
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 3391 0094 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Synapse Artist-in-Residence - Deakin University
http://www.deakin.edu.au/itri/cisr/projects/hear.php
Honorary Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====

cfp: The Medium of light and the neo-avant-garde 1950/60s

From: Paul Brown <paul@PAUL-BROWN.COM>

Date: Mon, 28 Nov 2011 07:01:37 +1000

CFP: The Medium of light and the neo-avant-garde 1950/60s
Duesseldorf, Germany, 28.06.2012
Eingabeschluss: 31.01.2012

Call for papers: The medium of light in the context of the
neo-avant-garde of the 1950s and 1960s

Deadline: January 31st, 2012

The international ZERO movement formed between the end of the 1950s
and the mid-1960s a neo-avant-garde in the European art scene in which
light plays a central role. The focus on light in art after 1945 has a
connection with the political, social and cultural situation of the
post-war period, but this art is not without precursors: Earlier in
the twentieth century, artists of the classical avant-gardes already
engaged with the medium of light. In the framework of the symposium,
the ZERO artists' treatment of light is to be contextualized and also
historically situated. Continuities and ruptures, philosophical and
theoretical foundations in the various countries are to be thematized,
along with the influence of theories of gestalt psychology, the
preoccupation with natural phenomena and of ZERO artists’
collaboration with natural scientists and technological experts. The
critical analysis of ZERO works of light-art, of their textual
references as well as mythological aspects in the engagement with
light, brightness, illumination, purification, sun, optimism,
knowledge and order from historical, physical, structuralist and
phenomenological perspectives is supposed to help attain, fifty years
after ZERO, an unbiased view of this neo-avant-garde and its
significance and position within art after 1945.

The conference is being organized by the ZERO foundation Düsseldorf in
collaboration with the Institute for Art History at the Heinrich Heine
University Düsseldorf within the framework of the graduate program
Materiality and Production on 28 June 2012
(www.phil-fak.uni-duesseldorf.de/materialitaet-und-produktion/).
The papers should not be longer than 20 minutes. Please send your
proposals for a talk (maximum of 2,000 characters) to:
light@zerofoundation.de (deadline: January 31st, 2012).


====
Paul Brown - based in OZ Oct 2011 to Mar 2012
mailto:paul@paul-brown.com == http://www.paul-brown.com
OZ Landline +61 (0)7 3391 0094 == USA fax +1 309 216 9900
OZ Mobile +61 (0)419 72 74 85 == Skype paul-g-brown
====
Synapse Artist-in-Residence - Deakin University
http://www.deakin.edu.au/itri/cisr/projects/hear.php
Honorary Visiting Professor - Sussex University
http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
====