DASH Archives - January 2018

CFP: D-ART for the iV2018 =?Windows-1252?Q?=96_?=22nd International Conference on Information Visualisation

From: "Ursyn, Anna" <Anna.Ursyn@UNCO.EDU>

Date: Tue, 2 Jan 2018 18:22:18 +0000

D-ART 2018

International Symposium on Digital Art, and Online Gallery - D-ART for the

iV2018 – 22nd International Conference on Information Visualisation

CGIV 2018-15th Conference Computer Graphics, Imaging and Visualization

 

Organized in London, England

 

Digital Art Gallery, D-ART is seeking artwork and visual representations

 in various formats for exhibition for the iV2018 and CGiV - DIGITAL ART GALLERY.

Permission form needs to be signed (please see below).

 

The Symposium seeks current state-of-the-art developments and outline of directions

of the current research being undertaken in industry and in academia of the aspects

      and sub-areas of visualization and graphics. Authors are invited to send their extended abstract

or the full paper.

 

Deadline : February 1, 2018 

 

Questions should be addressed to:

Anna Ursyn

Box 30

University of Northern Colorado

Greeley CO 80639, USA

T: (Int. +1) 970 - 351-2476

F: (Int. +1) 970 - 351-2299

E: anna.ursyn@unco.edu

 http://www.graphicslink.co.uk/IV2018/

PERMISSION TO USE THE MATERIALS SUBMITTED


By signing this form, I agree that my work will be included into the Symposium and Digital Art Gallery D-ART for the International Conferences: iV and CGiV.

 The agreement must be received no later than the submission.

The Conference’s inability to utilize your submission(s). This acceptance agreement is a legal document. It explains the uses that the Digital Art Gallery makes of presented material and requires you to acknowledge that you have the rights to use this material. This may involve seeking clearance from your employer or from others who have loaned you material. The agreement helps prevent situations whereby the Digital Art Gallery and the conference presentations include material without permission that might lead to complaints or legal action. In addition, this agreement asks if the Digital Art Gallery and the Conference may use your materials for conference and organization promotional material in exchange for full author/artist credit information.

I have the necessary rights, permissions, and/or licenses to grant permission for use of the materials. I retain the copyright to my work and will receive full attribution whenever the material is used.

I grant non-exclusive, irrevocable, perpetual, royalty-free, worldwide rights to the Digital Art Gallery and the Conference to present the material described in the submission form. In the event that such materials contain the work of other individuals or organizations including any software, trade secret, copyright, trademark, patents, and any other proprietary rights included therein, I understand that it is my responsibility to secure any necessary permissions and/or licenses, and I will not hold the Digital Art Gallery or the Conference and its affiliates responsible for any failure to do so. I grant non-exclusive, irrevocable, perpetual, royalty-free worldwide distribution rights to Digital Art Gallery and the Conference publish and distribute the material in the following publications and/or distribution channels. I have the necessary rights, permissions, and/or licenses to grant such rights to publish and distribute the material.

The following lists publications utilized by the Conference and the Digital Art Gallery for the presentation of your material. I hereby give my permission for use of my submissions in the following ways:

· Documentation of your content in any printed form by the Digital Art Gallery or the Conference,

· Documentation of your content in any electronic conference or gallery publications,

· Content used for any websites affiliated with the Digital Art Gallery or the Conference.

I have secured small performing rights licenses for use of the public performance of any copyrighted musical composition.

I have secured synchronization licenses for the inclusion of any copyrighted musical compositions in any multimedia presentations.

If I believe that the Digital Art Gallery or Conference has unreasonably modified my submission to change the character and expression of my submission, I agree that my sole and exclusive remedy shall be to send notice, requesting the discontinuation of that particular use. Upon receipt of such notice, the Digital Art Gallery or the Conference will discontinue such use, and/or make the appropriate changes deemed necessary.

Signature

Printed Name

Date

Organization/Affiliation

 


 

 

 

 





D-ART 2018

International Symposium on Digital Art, and Online Gallery - D-ART for the

iV2018 – 22nd International Conference on Information Visualisation

CGIV 2018-15th Conference Computer Graphics, Imaging and Visualization



Organized in London, England



Digital Art Gallery, D-ART is seeking artwork and visual representations

 in various formats for exhibition for the iV2018 and CGiV - DIGITAL ART GALLERY.

Permission form needs to be signed (please see below).



The Symposium seeks current state-of-the-art developments and outline of directions

of the current research being undertaken in industry and in academia of the aspects

      and sub-areas of visualization and graphics. Authors are invited to send their extended abstract

or the full paper.



Deadline : February 1, 2018



Questions should be addressed to:


Anna Ursyn

Box 30

University of Northern Colorado

Greeley CO 80639, USA

T: (Int. +1) 970 - 351-2476

F: (Int. +1) 970 - 351-2299

E: anna.ursyn@unco.edu

 http://www.graphicslink.co.uk/IV2018/

PERMISSION TO USE THE MATERIALS SUBMITTED

By signing this form, I agree that my work will be included into the Symposium and Digital Art Gallery D-ART for the International Conferences: iV and CGiV.

 The agreement must be received no later than the submission.

The Conference’s inability to utilize your submission(s). This acceptance agreement is a legal document. It explains the uses that the Digital Art Gallery makes of presented material and requires you to acknowledge that you have the rights to use this material. This may involve seeking clearance from your employer or from others who have loaned you material. The agreement helps prevent situations whereby the Digital Art Gallery and the conference presentations include material without permission that might lead to complaints or legal action. In addition, this agreement asks if the Digital Art Gallery and the Conference may use your materials for conference and organization promotional material in exchange for full author/artist credit information.

I have the necessary rights, permissions, and/or licenses to grant permission for use of the materials. I retain the copyright to my work and will receive full attribution whenever the material is used.

I grant non-exclusive, irrevocable, perpetual, royalty-free, worldwide rights to the Digital Art Gallery and the Conference to present the material described in the submission form. In the event that such materials contain the work of other individuals or organizations including any software, trade secret, copyright, trademark, patents, and any other proprietary rights included therein, I understand that it is my responsibility to secure any necessary permissions and/or licenses, and I will not hold the Digital Art Gallery or the Conference and its affiliates responsible for any failure to do so. I grant non-exclusive, irrevocable, perpetual, royalty-free worldwide distribution rights to Digital Art Gallery and the Conference publish and distribute the material in the following publications and/or distribution channels. I have the necessary rights, permissions, and/or licenses to grant such rights to publish and distribute the material.

The following lists publications utilized by the Conference and the Digital Art Gallery for the presentation of your material. I hereby give my permission for use of my submissions in the following ways:

· Documentation of your content in any printed form by the Digital Art Gallery or the Conference,

· Documentation of your content in any electronic conference or gallery publications,

· Content used for any websites affiliated with the Digital Art Gallery or the Conference.

I have secured small performing rights licenses for use of the public performance of any copyrighted musical composition.

I have secured synchronization licenses for the inclusion of any copyrighted musical compositions in any multimedia presentations.

If I believe that the Digital Art Gallery or Conference has unreasonably modified my submission to change the character and expression of my submission, I agree that my sole and exclusive remedy shall be to send notice, requesting the discontinuation of that particular use. Upon receipt of such notice, the Digital Art Gallery or the Conference will discontinue such use, and/or make the appropriate changes deemed necessary.

Signature

Printed Name

Date

Organization/Affiliation















CFP - Conference: Copy-Past. Revaluating History, Memory and Archive

From: Horea Avram <avramgarde@GMAIL.COM>

Date: Mon, 22 Jan 2018 13:55:09 +0000

Copy-Past.
Revaluating History, Memory and Archive in Cinema, Performing Arts and Visual Culture
Babeş-Bolyai University, Cluj, Romania
May 18-19, 2018

	Recent developments in academic scholarship and artistic practices in various fields have seen an increasing interest in the productive and intellectual potential of interpreting history, memory and archive. This preoccupation opened up a wide space of analysis and debate that sees the past not only as a passive “has-been” but rather as a probable “would be” - for better or worse. It is noteworthy that one of the most frequent warnings today regarding the political evolution in certain contexts points to the risk of repeating the past - about making the present an uncritical and blind “Copy-Past.” However, internalizing the significant moments of the past is part of our contemporary cultural construction in which history, memory and archive are the catalysts for some of the most progressive endeavours. The idea synthesized by the phrase “Copy-Past” is, after all, the motor of our cultural system of representation, the source-model conceived and symbolized through—and departing from—the indicators of the past. 

	The conference Copy-Past - Memory, archive, revaluations in cinema, performing arts and visual culture proposes a double articulation of the concept of past: it proposes equally a discourse of history and a discourse on history. That is, on the one hand, it proposes a discussion addressing the historical factuality (and its historiographic understandings) as well as the mechanisms to work, interpret and visualize historical facts and their relevance in contemporary artistic practice and critical thinking. On the other hand, it proposes to reflect on the methodological and theoretical interpretations stemming from and critically departing from various historicist approaches. More precisely, it expects to theorize on the very possibility of historicity: the interpreting solutions addressing the evolution of ideas, methodologies and systems of historical and critical research of artistic creation, in relation to the social and political contexts. 


Topics could include, but are not restricted to:

•	Appropriation and recycling images 
•	Adaptation and remediation in cinema, theatre and visual culture
•	Critical re-evaluations of artistic production: between ethics and aesthetics.
•	The critical discourse as interface between the artist and the audience
•	Criticism and normativity: what history has to do with it
•	New Historicism 2.0.
•	Media archaeology
•	Found footage film and alternative history
•	Preservation / archiving historical artistic production.
•	Curatorship – capitalizing the artistic heritage.
•	Historical “truth” vs. the transmedial question
•	Post-production as post-history
•	New-new historicism
•	Collective memories vs. Collected memories

REGISTRATION:

Abstract and keywords submission deadline: March 1st, 2018.
The abstracts (maximum 2000 characters), accompanied by keywords, will be sent to the organizers by February 15, 2018 at the following addresses: runcan.miruna@ubbcluj.ro, claudiu.turcus@ubbcluj.ro 
Accepted participants will be notified by March 15, 2018. 

Accepted papers will then be subject to a peer-reviewed process, and the selected papers will be published in a conference proceedings volume by the end of 2018.

PARTICIPATION FEES AND CONDITIONS:
•	Academics / researchers: 100 Euros
•	PhD candidates: 70 Euros
•	MA students: 50 Euros
Proposals for accepted works from the organizing institutions are exempt from the participation fee.
The deadline for paying of the participation fee is 1 May 2018. The participation fee covers the costs of logistics, equipment and promotion, 2 coffee-breaks and lunch. The accommodation and transport costs will be supported by the participants.

For other details please visit: http://teatrutv.ubbcluj.ro/conferences/copy-past/