DASH Archives - January 2019

CFP: 23rd International Symposium Digital Art, and Online Gallery - D-ART Paris, France

From: "Ursyn, Anna" <Anna.Ursyn@UNCO.EDU>

Date: Thu, 24 Jan 2019 00:56:22 +0000

Kindly post:

23rd  International Symposium

Digital Art, and Online Gallery - D-ART Paris,France

 

A number of invited speakers and tutorial sessions will review current state-of-the-art developments and outline future directions. This embedded with the current research being undertaken in industry and in academia will provide coverage of the salient aspects and sub-areas of visualization and graphics. Such work will be presented in a series of symposia.

 

One of which is the 'DIGITAL ART' symposium and digital art gallery.

 

Authors are invited to send their extended abstract or the full paper to the chairperson of symposium.

Artists are invited to submit their current digital artwork for exhibition in iV2019 - DIGITAL ART GALLERY.

Papers presenting original research with the theme of 'DIGITAL ART' are being sought. Suggested topics include (but are not limited to):

 

  • Preparing artists to learn programming, preparing programmers to learn aesthetics
  • Interrelationship between disciplines. How computer graphics can influence computer science and software engineering
  • Issues in digital art: Technical challenge and artistic quality, criticism, perception in the field 
  • Art and visualization of spatial, tonal, and temporal domains: Industry, Academia, Media
  • New media arts approaches within medical science and technology, Nano Art
  • Game and interactive multimedia
  • Information technology in visual arts and culture, visual art for IT Visualization
  • Cognitive Science issues, digital art and visual learning: critical and abstract thinking, problem finding
  • The role of digital art and graphics in production of web video for marketing  
  • Digital fabrication methods. Process (including collaborative efforts)     
  • History of computer graphics and art 
  • Copyright (representation through a detail, watermark, resolution, etc.)

     

Symposium and Gallery of Digital Art, D-ART Liaison

Anna Ursyn, Chair D-ART, University of Northern Colorado, USA

 

All enquiries should be addressed to:

Anna Ursyn
REF: D-ART
School of Art and Design
University of Northern Colorado
Greeley CO 80639, USA
E: ursyn@unco.edu
U: http://www.graphicslink.co.uk/IV2019/




 




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Kindly post:
23rd  International Symposium
Digital Art, and Online Gallery - D-ART Paris,France




A number of invited speakers and tutorial sessions will review current state-of-the-art developments and outline future directions. This embedded with the current research being undertaken in industry and in academia will provide coverage of the salient aspects and sub-areas of visualization and graphics. Such work will be presented in a series of symposia.

One of which is the 'DIGITAL ART' symposium and digital art gallery.

Authors are invited to send their extended abstract or the full paper to the chairperson of symposium.
Artists are invited to submit their current digital artwork for exhibition in iV2019 - DIGITAL ART GALLERY.
Papers presenting original research with the theme of 'DIGITAL ART' are being sought. Suggested topics include (but are not limited to):



  *   Preparing artists to learn programming, preparing programmers to learn aesthetics
  *   Interrelationship between disciplines. How computer graphics can influence computer science and software engineering
  *   Issues in digital art: Technical challenge and artistic quality, criticism, perception in the field
  *   Art and visualization of spatial, tonal, and temporal domains: Industry, Academia, Media
  *   New media arts approaches within medical science and technology, Nano Art
  *   Game and interactive multimedia
  *   Information technology in visual arts and culture, visual art for IT Visualization
  *   Cognitive Science issues, digital art and visual learning: critical and abstract thinking, problem finding
  *   The role of digital art and graphics in production of web video for marketing
  *   Digital fabrication methods. Process (including collaborative efforts)
  *   History of computer graphics and art
  *   Copyright (representation through a detail, watermark, resolution, etc.)


Symposium and Gallery of Digital Art, D-ART Liaison

Anna Ursyn, Chair D-ART, University of Northern Colorado, USA




All enquiries should be addressed to:


Anna Ursyn
REF: D-ART
School of Art and Design
University of Northern Colorado
Greeley CO 80639, USA
E: ursyn@unco.edu
U: http://www.graphicslink.co.uk/IV2019/










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Digital Culture Studies in Modern Languages/symposium at Royal Holloway, 15 February 2019

From: "Patti, Emanuela" <Emanuela.Patti@RHUL.AC.UK>

Date: Thu, 24 Jan 2019 14:51:47 +0000

Apologies for cross posting


Dear list-members,


I am delighted to invite you to the following symposium.


Admission is free, but registration is required. 

Please register here:

https://www.eventbrite.com/e/digital-culture-studies-in-modern-languages-tickets-55331092788



Digital Culture Studies in Modern Languages


A one-day international symposium

Royal Holloway, University of London

Gowar and Wedderburn Common Room

Organised by Prof Giuliana Pieri and Dr Emanuela Patti

 

This one-day international symposium aims to explore theories, methodologies and future perspectives in the field of ‘digital culture studies’ in Modern Languages. It will bring together scholars in Modern Languages and Digital Humanities, as well as artists, Media Arts historians and curators, in order to discuss new informed ways and methods for approaching the study of digital culture and creativity. Free admission. 


Programme

Friday, 15 February 2019

10.30  Arrival, Refreshments 

11.00-11.10 Emanuela Patti (Royal Holloway), Introduction


Modern languages and the digital: theories, methodologies, case studies

11.10-12.00 (chair: Sarah Wright, Royal Holloway)

Keynote Lecture 1: Claire Taylor (University of Liverpool), ’Digital Humanities, digital culture, and Modern Languages’

12.00-13.00 (chair: Guyda Armstrong, University of Manchester)

Paul Spence (King’s College), ‘Key elements of a critical Digital Humanities-Modern Languages (DHML) research agenda’

Erika Fülöp (Lancaster), ‘Digital culture in French Studies in the UK’


13.00-14.00 Lunch


Modern Languages and digital arts: national and transnational perspectives

14.10-15.00 (chair: James Williams, Royal Holloway)

Keynote Lecture 2: Sean Cubitt (Goldsmiths), ‘Telegraph, Airmail, Satellite: The Visual Imaginary of Global Media’

15.00-16.00 (chair: Emanuela Patti, Royal Holloway)

Valentino Catricalà (Media Arts Festival, Rome), ‘Rethinking the medium through media art. The Italian case’

Maria Mencia (Kingston), ‘The Winnipeg: the poem that crossed the Atlantic’


16.00-16.30 Coffee break


16.30-17.00 (chair: Emanuela Patti)

Closing discussion, ‘The interdisciplinary challenges of Digital Culture Studies: what forms of collaboration between Modern Languages, Media Arts and Digital Humanities?’


Best wishes,
Emanuela Patti


To unsubscribe from the DASH list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=DASH&A=1
















Apologies for cross posting


Dear list-members,


I am delighted to invite you to the following symposium.


Admission is free, but registration is required.

Please register here:

https://www.eventbrite.com/e/digital-culture-studies-in-modern-languages-tickets-55331092788



Digital Culture Studies in Modern Languages


A one-day international symposium

Royal Holloway, University of London

Gowar and Wedderburn Common Room

Organised by Prof Giuliana Pieri and Dr Emanuela Patti



This one-day international symposium aims to explore theories, methodologies and future perspectives in the field of ‘digital culture studies’ in Modern Languages. It will bring together scholars in Modern Languages and Digital Humanities, as well as artists, Media Arts historians and curators, in order to discuss new informed ways and methods for approaching the study of digital culture and creativity. Free admission.


Programme

Friday, 15 February 2019

10.30  Arrival, Refreshments

11.00-11.10 Emanuela Patti (Royal Holloway), Introduction


Modern languages and the digital: theories, methodologies, case studies

11.10-12.00 (chair: Sarah Wright, Royal Holloway)

Keynote Lecture 1: Claire Taylor (University of Liverpool), ’Digital Humanities, digital culture, and Modern Languages’

12.00-13.00 (chair: Guyda Armstrong, University of Manchester)

Paul Spence (King’s College), ‘Key elements of a critical Digital Humanities-Modern Languages (DHML) research agenda’

Erika Fülöp (Lancaster), ‘Digital culture in French Studies in the UK’


13.00-14.00 Lunch


Modern Languages and digital arts: national and transnational perspectives

14.10-15.00 (chair: James Williams, Royal Holloway)

Keynote Lecture 2: Sean Cubitt (Goldsmiths), ‘Telegraph, Airmail, Satellite: The Visual Imaginary of Global Media’

15.00-16.00 (chair: Emanuela Patti, Royal Holloway)

Valentino Catricalà (Media Arts Festival, Rome), ‘Rethinking the medium through media art. The Italian case’

Maria Mencia (Kingston), ‘The Winnipeg: the poem that crossed the Atlantic’


16.00-16.30 Coffee break


16.30-17.00 (chair: Emanuela Patti)

Closing discussion, ‘The interdisciplinary challenges of Digital Culture Studies: what forms of collaboration between Modern Languages, Media Arts and Digital Humanities?’

Best wishes,
Emanuela Patti

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CALL FOR PROPOSALS to host the 9th International Conference on the Histories of Media Art, Science and Technology: Re: 2021

From: Oliver Grau <Oliver.Grau@DONAU-UNI.AC.AT>

Date: Sat, 26 Jan 2019 08:15:15 +0100

CALL FOR PROPOSALS to host the 9th International Conference on the

Histories of Media Art, Science and Technology: Re: 2019
 
The Media Art Histories Board invites applications to host the 9th
International Conference on the Histories of Media Art, Science and
Technology.
 
The international conference series, which was inaugurated in 2005 in
Banff, Canada, has since been held in several international venues
around the globe including Berlin in 2007, Melbourne 2009, Liverpool
2011, Riga 2013, Montreal 2015, Krems/Wien 2017 and will be held next 
August in Aalborg.

The conference series aims to engage the growing community of scholars
from a range of disciplines including art history, contemporary art
practice, art theory, history of science, history of technology,
science and
technology studies, media studies, image science, visual studies,
philosophy, cultural studies, anthropology, architecture theory, sound
studies, computer science among others to develop and share new
research and scholarship in the intersecting fields of the histories of
media
art, science and technology. The host of the conference in 2021 will
have the opportunity to continue to build on the impressive history of
the conference series.
 
CONFERENCE SERIES MISSION
*Recognizing the increasing significance of media art for our culture,
the conference series on the Histories of Media Art will discuss the
history of media arts within the interdisciplinary and intercultural
contexts of the histories of the arts. Numerous individuals and
institutions collaborate to produce the international art history
conference series covering the media arts, the arts and technology,
art-science interaction, and the history of media as pertinent to the
contemporary arts.*
 
GUIDELINES, SELECTION CRITERIA AND DEADLINES
Proposals to host the conference will include the following
information:
 
1. Proposed Dates
2. Proposed Venues (including information on number, capacity and AV
and network capabilities of spaces)
3. Rationale for hosting the conference
4. Host Local Organizing Committee
5. Relevant previous experience (e.g., committee members* experience
in hosting conferences, events, etc.)
6. Publicity Plan
7. Funding / Sponsorship plan
8. Preliminary Budget
 
Those interested in making a bid to host the conference can download
GUIDELINES here
(http://www.mediaarthistory.org/wp-content/uploads/2016/07/MAH-conf-guidelines_2019.pdf)
 
Deadline for final submission of proposals: 
March 1st, 2019 
MAH Advisory Boards final decision for the 2021 host: 
May 1st, 2019.
 
***********************************
MediaArtHistory Board (Steering Committee)
 
Andreas BROECKMANN, Leuphana Universität
Andres BURBANO, Universidad de los Andes
Sean CUBITT, Goldsmiths College, University of London
Oliver GRAU, Danube University
Inge HINTERWALDNER, Karlsruhe Institute of Technology
Erkki HUHTAMO, University of California Los Angeles
Machiko KUSAHARA, Waseda University, Tokyo
Katja KWASTEK, Vrije Universiteit Amsterdam
Gunalan NADARAJAN, University of Michigan
Chris SALTER, Concordia University and Hexagram, Montreal
Paul THOMAS, UNSW Sydney


MEDIA ART HISTORIES PLATTFORM http://www.mediaarthistory.org 
 
ARCHIVE OF DIGITAL ART http://www.digitalartarchive.at 
 
LIVERPOOL DECLARATION: http://www.mediaarthistory.org/declaration 
 
CONFERENCE PUBLICATIONS
http://www.mediaarthistory.org/pub/mediaarthistories.html 
http://www.mediaarthistory.org/pub/place_studies.html 
http://mitpress.mit.edu/books/relive 


Univ.-Prof. Dr. habil. Dr. h.c. Oliver Grau, 
Member Academia Europaea 
Leitung Department für Bildwissenschaften / Forschungsprofessur 
Leitung Consortium Erasmus Joint Master in MediaArtsCultures 
DONAU UNIVERSITÄT 
Dr.-Karl-Dorrek-Strasse 30
3500 Krems, AUSTRIA
www.donau-uni.ac.at/dbw 
ADA – Archive of Digital Art  www.digitalartarchive.at 
Graphische Sammlung Goettweig-Online  www.gssg.at 

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