From: Anne Helmond <a.helmond@UVA.NL>
Date: Tue, 15 Oct 2019 16:02:10 +0200
IIPC WAC 2020 - Expanding Horizons: how we build, use, and sustain web archives http://netpreserve.org/ga2020/ In 2020 the International Internet Preservation Consortium (IIPC) Web Archiving Conference (WAC) will be proudly hosted in Montréal, by Bibliothèque et Archives nationales du Québec (BAnQ), from May 12-13, 2020. The events are organised in partnership with Library and Archives Canada and University of Toronto Libraries. The conference will be followed by a two-day Archives Unleashed datathon that will bring together a small group of participants to gain a hands-on experience of working with web archives. More information about the datathon at: http://netpreserve.org/ga2020/archives-unleashed/ The IIPC WAC represents a unique opportunity for web archiving practitioners, collection managers, technologists, researchers, and strategists to engage with and develop the global community of practise. Proposals on all aspects of web archiving practice as well as researching and using web archives are invited. Of particular interest for this year’s conference are proposals addressing the conference theme Expanding Horizons: how we build, use, and sustain web archives. Proposals from and related to Canadians/Canada, as well as from the perspective of novice users and researchers alike, are warmly welcomed. Further relevant topics include but are not limited to: Building web archives - Harvesting approaches, tool development, and related challenges - Collection development and curation - Legal issues related to collecting and accessing content - Ethical concerns Enhancing web archives - Capturing ephemeral and “non-traditional” web resources, emerging formats and domains - Archiving the long tail, beyond the top 10 blue links - Archiving social media (beyond APIs) and (mobile) apps - Archiving non-English language sites - Multi-lingual collections and their impact on curation Sustaining web archives - Archival business models - Economic or political successes and failures - Shared infrastructure Researching web archives - Researcher collaboration models, experimental approaches, use cases, workflows - Building and maintaining research tools - Obstacles in accessing, using, and analyzing web archive holdings - Collaborative and interdisciplinary projects with GLAM institutions and beyond - Data sharing, publication, protocols, provenance - Computational linguistic research on multi-language collections Value of collections - Articulate and demonstrate worth, internally within an institution and beyond - (Collaborative) collection development - Collection assessment and metrics Training and teaching - Developing expertise among new practitioners - Sharing expertise and teaching materials among organizations engaged in web archiving - Teaching methodologies and best practices for practitioners/students/researchers The WAC 2020 program committee invites proposals for: - 20-minute presentations (including 5 minutes for discussion) - Posters and demos with accompanying 5-minute lightning talk - 60-minute panel discussions - 60, 90, or 120-minute conference-themed workshops - Tutorials focused on tools, technologies, or practical exercises All proposals must be written in English and submitted via EasyChair. French-English simultaneous translation services will be available during the conference. Speakers who would like to present in French are invited to do so but have to indicate their preference in the submitted document. Proposals should outline how their contribution advances the understanding of topics related to the conference themes, how it relates to previous work (if applicable), and what impact it may have on the community. Proposals for: - Presentations: Must be submitted as an abstract of between 300 and 500 words - Posters: Must be submitted as an abstract of between 200 and 300 words - Workshops and Tutorials: Must be submitted as an abstract of between 800 and 1,000 words - Must include information about coordinator(s), format, target audience, anticipated number of participants, and technical requirements - Must include details about expected outcome(s) Panels: - Must be submitted as an abstract of between 800 and 1,000 words - Must include information about panel setup (moderator(s), contributor(s), etc) - Must include details about the topic(s) of discussion, how panelists will contribute to the discussion, how the audience will be included in the discussion, and some anticipated outcome(s) of the discussion All submissions are due by December 1st 2019. The program committee will review all submissions and send out notifications of acceptance/rejection by mid January. For questions, please send an email tohttp://netpreserve.org/ga2020/ @NetPreserve #iipcWAC20 --- Dr. Anne Helmond | Assistant Professor of New Media and Digital Culture University of Amsterdam | Turfdraagsterpad 9 | 1012 XT Amsterdam | The Netherlands http://www.uva.nl/profile/a.helmond | http://www.annehelmond.nl/ | @silvertje Highlighted publications: Helmond, Anne, David B. Nieborg, and Fernando N. van der Vlist. “Facebook’s Evolution: Development of a Platform-as-Infrastructure.” *Internet Histories* 3 (2): 123–46. doi:10.1080/24701475.2019.1593667. Helmond, Anne. 2015. “The Platformization of the Web: Making Web Data Platform Ready.” *Social Media + Society* 1 (2). doi:10.1177/2056305115603080. ######################################################################## To unsubscribe from the DASH list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=DASH&A=1
From: Oliver Grau <Oliver.Grau@DONAU-UNI.AC.AT>
Date: Fri, 18 Oct 2019 09:22:03 +0200
MEDIA ARTS CULTURES Erasmus Mundus Joint Master Degree Erasmus+ - European Master of Excellence KREMS / AALBORG / LODZ / SINGAPORE Call for applications Early acceptance and submission for all scholarships 2020 Intake - deadline November 17, 2019 www.mediaartscultures.eu ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Media Arts Cultures is organized jointly by: Danube University Krems (Austria, lead) Aalborg University (Denmark) University of Lodz (Poland) and Lasalle College of the Arts (Singapore). Associated Partners: Archive of Digital Art, Ars Electronica Linz, ArtSciMuseum, DAM, Europeana, FACT, Het Nieuwe Instituut, Instrument Inventors Initiative, imai, Impakt Festival, MOCAK, monochrome, Neural Magazine, SPEKTRUM, WRO Art Center, ZKM The language of instruction is English and includes taught semesters, internship, and a master thesis supervised by lecturers from the partner universities. MediaAC faculty include: Andreas BROECKMANN, Wendy COONES, Palle DAHLSTEDT, Steven DIXON, Oliver GRAU, Jens HAUSER, Elizabeth JOCHUM, Sarah KENDERDINE, Ryszard W. KLUSZCZYŃSKI, Lev MANOVICH, Roger MALINA, Wolfgang MUENCH, Frieder NAKE, Maciej OŻÓG, Christiane PAUL, Ana PERAICA, Katarzyna PRAJZNER, Jeffrey SHAW, Morten SØNDERGAARD, Audrey WONG, Jon CATES, Francesco FRANCO, Sean CUBITT, Patricia FALCAO, Tamillo THIEL, Andrés BURBANO, Marian DÖRK and many others. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Media Arts Cultures is a 2-year mobility program, enabling students to study across Europe and in Asia. Students spend three semesters at different universities, complete an internship at a Consortium Associated Partner, and write a Master Thesis at the best-suited partner during the final semester. Upon completion, students receive a 120 ECTS joint master degree in Media Arts Cultures from three universities. Graduates may further pursue a PhD within Europe or other international higher education regions as well as choose to enter the world of work in the Creative and Cultural Sector. Securing your early acceptance to the program enables applicants to submit materials to the various scholarship opportunities: External-funding scholarships, Erasmus+ fully-funded scholarships, and MediaAC Consortium scholarships with Erasmus+ mobility bursaries. The MediaAC Consortium invites dedicated and energetic applicants from all countries and all relevant fields of study and experience to apply. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MediaAC is one of the few culture-centered Erasmus Mundus programs, and the only program connecting culture to the media arts. Digital media art plays a major role at international festivals and in contemporary culture. But, in part due to the obsolescence of presentation equipment and storage formats, media art has not yet fully arrived in archives and museums. The collection, exhibition and conservation strategies of digital art, as well as their mediation, are necessary for the modernization of the Creative and Cultural Sector. The joint Master of Arts MediaAC aims to generate a better understanding of the image revolution. It addresses the needs of the evolving fields related to the futures and histories of Media Art Cultures. MediaAC provides education and training for future specialists in Media Arts Cultures and prepare them for emerging careers in the creative and cultural sectors, research and academia. Selected topics like Media Cultural Histories, Digital Heritage, Archiving, Experience Design, Media Arts Theory, New Media Aesthetics, Infrastructures of Digital Cultures, Long Time Preservation, Curating& Arts Management, or Media Arts Futures provide students bothinternationally-advanced theoretical as well as practical knowledge in the Media Arts, through a singular combination of pedagogical foci, trans-disciplinary approaches, and critical thinking in connection to the needs of both academic and non-academic stakeholders. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Contact: Media Arts Culture Consortium www.mediaartscultures.eu mediaac(at)donau-uni.ac.at ######################################################################## To unsubscribe from the DASH list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=DASH&A=1
From: Liza Halfin <lphalfin@OUTLOOK.COM>
Date: Mon, 28 Oct 2019 16:16:08 +0000
Dear colleagues, you may want to share this conference call for a 2020 academic and publishing collaboration. Conferences in the UK and the US. Thanks. - In collaboration with Routledge, Intellect Books and other publishers, the University of Kent and Florida State University are partnering with AMPS-PARADE to develop a 2020 series of conferences and publications in art and design. This collaboration is interested in developing publications in art and design pedagogy related to questions of user orientated design and digital art and design. It will feed into the ROUTLEDGE: Focus on Design Pedagogy book series. In addition, the conference, Connections: Exploring heritage, architecture, cities, art, media, is connected with the Intellect Books “Mediated Cities” series. Four books have so far been produced through conferences in London, Los Angeles, Bristol and Istanbul. It is anticipated that the fifth will be developed from this event. To participate, please submit an abstract. Connections: Exploring heritage, architecture, cities, art, media https://architecturemps.com/canterbury-conference Dates: 29-30 June 2020 Place: University of Kent, Canterbury, UK Abstracts: 10 February 2020 (Round 1) -- Experiential Design – Rethinking relations between people, objects and environments https://architecturemps.com/florida/ Dates: 16-17 January 2020 Place: Florida State University, Tallahassee, USA Abstracts: 20 November 2019 -- Presentations can be in various formats: Pre-recorded film (20 minutes) | Skype (20 minutes) | In-person Presentations (20 minutes) | Written Papers (3,000 words) - To be considered, please submit an abstract: UK Connections: Exploring heritage, architecture, cities, art, media https://architecturemps.com/canterbury-conference USA. Experiential Design – Rethinking relations between people, objects and environments https://architecturemps.com/florida/ ######################################################################## To unsubscribe from the DASH list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=DASH&A=1