DASH Archives - February 2020
CFP: D-ART, Vienna, Melbourne
From: "Ursyn, Anna" <Anna.Ursyn@UNCO.EDU>
Date: Sat, 8 Feb 2020 11:15:23 +0000
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CfP Memory Full? Deadline 1 March 2020
From: Design History Society <gabriele.oropallo@GMAIL.COM>
Date: Mon, 10 Feb 2020 21:17:49 +0000
*apologies for crossposting CfP Deadline 1 March 2020 Memory full? Design History Society Annual Conference 3-5 September 2020 | FHNW Academy of Art and Design, Basel, Switzerland Confirmed keynote speakers: Alexandra Midal, Jussi Parikka, Polycardinal Design Lexikon https://dhs2020.formstack.com/forms/memoryfull The “memory full” warning sent by a device when its drive reaches maximum capacity is both an irritant and an incitement for creativity. Responses include upgrading storage, editing and deleting content, or constraining an otherwise unfettered desire to archive everything. Actions like these can be read as a metaphor for how histories of design are shaped. Against a background of multiple temporalities and ontologies for design, this conference sets out to explore the relationship between design and memory. It invites reflection on the entanglements embodied by design between futurity and amnesia, critical discussion on data cultures, and debate around emerging approaches to the designed environment, such as forensics. How can the memory of design be interpreted, shared, mined, or performed? Stories of social change are recorded in artefacts buried under layers of water or soil, in the plot twists of old novels or vintage media. The legacy of human activity passes into the material culture of non-human species, or enters their very physiology. Practices involving design as means to construct, repair and speculate about the past are integral to processes of codifying both canonic and alternative histories. To what extent can history writing be compared to a design project? Assumptions and bias are embedded in the ways facts are gathered and constructed as habitable stories. How long do these narrations remain functional before they need to be patched with new data? Are machines also learning bias when they are instructed to collect data and present it in meaningful forms? The conference welcomes historic, contemporary and interdisciplinary approaches to the topic and invites contributions from design historians, and students and scholars in related fields; as well as writers, practitioners, educators, museum professionals, and activists who engage with design. Relevant topics include, but are not limited to: - the designed environment as distributed archive - emerging sites of knowledge production and dissemination - mediation and consumption of story-telling - design histories as design fictions - design and critical heritage - data cultures in design practice and mediation - blind spots in the memory of design - indigenous epistemologies - alternative genealogies - design and personal or collective memory - design history as a form of activism and repair - the practitioner as a historian, the historian as a practitioner - trans-modern and trans-cultural models - the challenges of digitalisation - radical pedagogies in design history We welcome proposals for individual papers of 20 minutes, or proposals for thematically coherent panels of three papers. Panel proposals must include abstracts for all three papers in addition to a short description of the panel theme. We also encourage applications that propose alternative formats for research dissemination and collective knowledge production. The deadline for submitting abstracts is 1 March 2020. Proposals should be submitted through this web form: https://dhs2020.formstack.com/forms/memoryfull and include: – title - abstract of up to 300 words - short biography of each author (up to 60 words) - authors’ names and affiliations - description of the format of the contribution (paper / panel / alternative format) - three keywords All submissions will be double blind peer-reviewed by the conference scientific committee. For any queries please contact cfp@memoryfull2020.org. ######################################################################## To unsubscribe from the DASH list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=DASH&A=1
SUMMIT ON NEW MEDIA ART ARCHIVING during ISEA2020 in MONTREAL, May 18
From: Image Science <Image.Science@DONAU-UNI.AC.AT>
Date: Fri, 28 Feb 2020 10:04:16 +0100
SUMMIT ON NEW MEDIA ART ARCHIVING during ISEA2020 in MONTREAL School of Digital Arts, Animation and Design, University of Québec, Montreal The Summit is organised with the purpose of presenting a roadmap towards the goals of the Liverpool Declaration*. This is a co-operative effort of the ISEA, Ars Electronica, SIGGRAPH and ADA archives. PRELIMINARY PROGRAMME Monday May 18 9.00-9.30 registration 9.30-10.00 Introductory Keynote: Prof. Dr. Oliver Grau, MAE, Department for Image Science, Danube-University Krems, Austria: Museum-Network Digital Arts: For a concerted Collection, Documentation and Conservation Strategy Case Studies (collection / preservation) 10.00-10.15 Adam Lockhart -- VR as a Preservation and Simulation Tool for Media Artwork Installations 10.15-10.30 Hava Aldouby --- Archiving and Researching Media Art in Israel: Challenges, Innovative Solutions, and Potential International Collaborations 10.30-10.45 Rodrigo Guzman Serrano --- A History of the Internet through MoMA’s Exhibition Sites. Web-Archiving Art Content at NYARC break Infrastructures (new strategies & technology or documentation & archiving) 11.00-11.45 Byeongwon Ha --- Archiving Interactive Art for Art Practitioners and Theorists 11.45-12.00 Devon Mordell --- Preservation Begins at Creation: An Embedded Digital Archivist Within the University of Windsor’s School of Creative Arts break 13.00-13.15 Vladlena Gromova --- A Database Of Interdisciplinary Art In Russia 13.15-13.30 Elisa Ines Arca Jarque --- ePPA: Espacio/ Plataforma de preservación audiovisual (ePPA – Space/ Platform for Audiovisual preservation) 13.30-13.45 Scott Rettberg --- ELMCIP Electronic Literature Knowledge Base International / intercontinental support and project structures 13.45-14.00 Camille Baker --- Brief history of STARTS and STARTS related EU policy overview 14.00-14.15 Tadeus Mucelli --- Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI) 14.15.14.30 Melanie Swalwell --- Archiving Australian Media Arts: Towards a method and a national collection break 14.45-15.00 Manuela Naveau, Bonnie Mitchell & Wim van der Plas: Short presentations on archives of Ars Electronica, SIGGRAPH Art Show and ISEA 15.00-15.15 Invited speaker (tba) 15.15-16.15 Break Out Sessions: collective preparation for concluding session 16.15-17.30 Oliver Grau, Bonnie Mitchell & Wim van der Plas (moderation): Conclusions and directions: structured road map and concrete proposals. 17.30 onwards: Informal get together Free for ISEA2020 participants, others pay the one day symposium fee. Proceedings will be published. * MEDIA ART NEEDS GLOBAL NETWORKED ORGANISATION & SUPPORT – International Declaration, signed by 500 professionals representing the key institutes in the field. http://www.isea-archives.org/docs/MediaArtHistoryDeclaration.pdf For more information contact Wim van der Plas at wim@isea-web.org ######################################################################## To unsubscribe from the DASH list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=DASH&A=1