Day 1 – 11 July 2007 |
Author(s) | Title | Paper |
Keynote |
George Mallen | Digital Culture – Whence and Where to? | - |
Digital Culture: Visualising Ideas | |
Michael Goldberg | Digital and Democratised Visuality | - |
Nat Goodden | The Digital Sledgehammer and Other Handy Implements | - |
Ruby Jana Sircar | Misplacing Myths and Unravelling Fictions | - |
Graeme Earl | De / Construction Sites: Romans and the Digital Playground | - |
Visualisation in the Museum and Gallery Context |
Wolfgang Meisinger | The Sound of the Archbishop | - |
Chao-Yu Lin, Nick Higgett & Emily Baines | Exhibit Content and Learning-related Behaviours in 3D On-lineMuseum Environments | - |
Silvia Filippini Fantoni & Nancy Proctor | Evaluating the Use of Mobile Phones for an Exhibition Tour at theTate Modern: Dead End or the Way Forward? | - |
Jordan Klineman | Visualising Exhibits in 3D |
Veronica Sekules & Felicity Allen | Visual Dialogues Experiments with Multimedia Tools forInterpretation in the Art Gallery | - |
Workshop Report |
Ann Borda & Stuart Dunn | e-Science and Visual Perception: Report to Conference | - |
Archive tour |
Sarah Mahurter | The Stanley Kubrick Archive at University of the Arts London | - |
Day 2 – 12 July 2007 |
Author(s) | Title | Paper |
Keynote |
Haim Bresheeth | Presenting the Past with Some Help from the Future | - |
Digital Arts and Technologies |
Kia Ng, Tran Vu Pham, Bee Ong & David Giaretta | Components of Interactive Multimedia: Performance and Preservations | - |
Marilène Oliver | Resurrecting the Digitised Body: The Use of the ‘Scanned In’ Bodyfor making Artworks | - |
Kasia Molga | Wireless Art: What are the Possibilities of Application of Mobile CommunicationMedia to a Modern, Visual Art Practice and as a Medium of Expression? | - |
Simon Hollington & Kyp Kyprianou | Technology and the Uncanny | - |
Jeff Rees & Nick Lambert | Making the Spheres Sing: Exploring the Technological Terrain of aNew Digital Artwork | - |
Stuart Jones | Why just Visualisation? | - |
Kia Ng, Oliver Larkin, Thijs Koerselman & Bee Ong | 3D Motion Data Analysis and Visualisation for String Practice Training | - |
Helen Bailey, Anja Le Blanc & Martin Turner | Stereobodies: A Practice Led Choreographic Investigation using theCollaborative Stereoscopic Access | - |
Eva Zányi, Carla Schroer, Mark Mudge & Alan Chalmers | Light and Byzantine Glass Tesserae | |
Panel Session |
Roger Hargreaves et al. | Archiving Digital Artefacts | - |
Visualisation Session |
Jonathan P. Bowen, Isabel Bernal & Eleanor Lisney | An Experimental Wiki for Museums | - |
Charalampos Chaitas | The Necessity to Change the Collection Management Models of the Contemporary Art Museum | - |
Steve DiPaola | Knowledge Based Approach to Modeling Portrait Painting Methodology | - |
Graham Diprose | Escape from Flatland | - |
Silvia Filippini Fantoni & Nancy Proctor | Evaluating the Use of Mobile Phones for an Exhibition Tour at the Tate Modern: Dead End or the Way Forward? | - |
Simon Hollington & Kyp Kyprianou | The Invisible Force Field Experiments | - |
Chao-Yu Lin, Nick Higgett & Emily Baines | Exhibit Content and Learning-related Behaviours in 3D On-line Museum Environments | - |
Marilène Oliver | Resurrecting the Digitised Body: The Use of the ‘Scanned In’ Body formaking Artworks | - |
Nicola Schiavottiello | Archaeological Practice, Dissemination and Education through VR and AR | - |
Larisa Urnysheva | The Novgorod Letters with Seals | - |
Jodie L. Walz | Cross Disciplinary Collection Access via a Union Catalog | - |
Day 3 – 13 July 2007 |
Author(s) | Title | Paper |
Keynote |
William Latham | Evolutionary Art | - |
Imaging in 3D and 2D |
Graham Diprose | Escape from Flatland | - |
Tony Harris | Digital Hindsight | - |
Paolo Alongi, Manolis Lourakis, et al. | Photorealistic 3D Reconstruction of Perspective Paintings and Pictures | - |
Craig Smith | Computational Studio Art | - |
Thomas Gierlinger, Pedro Santos & André Stork | Augmented Reality for Visualisation of Architectural Design | - |
Imaging and Connecting |
Piero Bertacchini & Giuseppe Conti | NET Connect – Connecting European Culture through New Technology | - |
Steve DiPaola | A Knowledge Based Approach to Modeling Portrait Painting Methodology | - |
Sarah McDaid | Visualisation of Communication for Human-Computer Interaction Design | - |
Michael Lesk | Easy 3D | - |
Digital Arts |
Lizbeth Goodman et al. | Digital Arts from SMARTlab, University of East London | - |