BCS Moorgate, London, UK 10th - 14th July 2023
The Electronic Visualisation and the Arts London 2023 Conference (EVA London 2023) is co-sponsored by the Computer Arts Society (CAS) and BCS, the Chartered Institute for IT, of which the CAS is a Specialist Group. As for 2022, the EVA London 2023 Conference is a physical and online “hybrid” conference. We continue with publishing the proceedings, both online, with open access via ScienceOpen, and also in our traditional printed form, in full colour. The main conference presentations run during 10–13 July 2023, with workshops and other activities, especially for students, on 14 July 2023. Over recent decades, the EVA London Conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse set of interests, with a specialised focus on visualisation.
J.P. Bowen, J. Weinel, and G. Diprose (eds.) EVA London 2023: Electronic Visualisation & the Arts. Proceedings of a conference to be held at BCS Moorgate, London, UK. 10-14 July. BCS, The Chartered Institute for IT, 2023. DOI: 10.14236/ewic/EVA2023.0
Documentation
Papers and Presentations
Plase Note: The video recordings are basic edits and will include any connection glitches.
| Monday 10th July 2023 |
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| Author(s) | Title | Paper | Video |
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| Symposium |
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| S1 | Tula Giannini | Digital Lens | Paper | Video |
| S1 | Terrence Masson | Preparing Students for the New Computer Arts Landscape | - | Video |
| S2 | Giuliano Gaia | Augmented Reality in Digital Art: Case Histories and Future Directions | - | Video |
| S3 | Graham Diprose | Digital Preservation and Access: Photography Past, Present and Future | - | Video |
| S4 | Tula Giannini (Chair), Terrence Masson, Giuliano Gaia, and Graham Diprose, Jonathan P. Bowen | Symposium Discussion | - | Video |
| Computational Culture |
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| P1 | Jonathan P. Bowen & Tula Giannini | The Arts and Computational Culture: A landscape view | Paper | Video |
| P2 | Ann Borda | Bearing Witness: A commentary on climate action and immersive climate change exhibitions | Paper | Video |
| P3 | Mei-Tsen Chen, Fion Gunn, Shoran Jiang, Ardern Hulme-Beaman, Alan Hudson, Maureen Kendal & Nazia Parvez | A-MAZE Artists Update 2023: Boundless – Worlds in Flux: Overcoming boundaries to virtual world integration in traditional heritage settings | Paper | Video |
| P4 | Karoline Winzer | The Connection Framework: How designers and developers can impact social connection | Paper | Video |
| P5 | Aphra Shemza, Peter Todd & A.J. Bravo | Shemza Digital: Across Generations | Paper | Video |
| P6 | Dominik Lengyel & Catherine Toulouse | How Physical Models Complete Virtual Multimediality | Paper | - |
| P7 | Lindsay W. MacDonald | Visualising a Medieval Wall Painting of St Thomas Becket | Paper | Video |
| P8 | Carl Hayden Smith & William L.J. Bigmore | Re-Enchantment with Technology and Ourselves: Constructing the technomancy and neuromancy framework | Paper | Video |
| P9 | Jonathan P. Bowen & Sean Clark | Recent Progress with the Computer Arts Archive | Paper | Video |
| EVE | Nick Lambert & Sean Clark | Computer Arts Society Evening | - | Video |
| Tuesday 11th July 2023 |
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| Author(s) | Title | Paper | Video |
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| Interdisciplinary Narratives |
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| P10 | Leah Barclay, Tricia King & Lyndon Davis | Seeing Sound and Hearing Images: Interdisciplinary explorations in marine environments in Queensland, Australia | Paper | Video |
| P11 | Mary-Joyce Arekion | Digital Storytelling: An innovative arts-based research method for qualitative research | Paper | Video |
| P12 | Susan Hazan | The Dance of the Doppelgängers: AI and the cultural heritage community | Paper | Video |
| Keynote |
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| KEY1 | Kay Watson | Head of Arts Technologies at the Serpentine Galleries, London, UK | - | Video |
| Documenting Digital Art |
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| P13 | Kenneth Feinstein | Voicing the Subject: Finding new ways of creating the documentary | Paper | - |
| P14 | Sean Clark & Stephen Scrivener | Rebuilding Stephen Scrivener's Homeostasis Artwork | Paper | - |
| P15 | Carmen Gil Vrolijk | Hybris | Paper | Video |
| Social Engagement |
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| P16 | Jon Malis | A Comparison of Physical and Virtual Representations of Yves Klein’s International Klein Blue | - | Video |
| P17 | Lindsay Pierce, Dajonea Robinson, Mi Tran & Whitney Graham | Social Memberships and Identity Representation in ‘Text-to-Image’ Artificial Intelligence Programmes | Paper | Video |
| P18 | Kristin Carlson, Greg Corness, Zahra Irannezhad, Kimberly Brucker & Lyndsie Schlink | Sounds of Connection: Tactile support of family engagement in elderly memory-care residents | Paper | Video |
| Digital Aesthetics |
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| P19 | Nat Hardy | From Whom the Trumpist Trolls: The Digital Propaganda of Jon McNaughton | - | Video |
| P20 | Joskaudė Pakalkaitė Noise-Free Digital | Interfaces From the Near Future | Paper | - |
| P21 | Camila Mangueira & Fabrício Fava | Metaimage: The image beyond visual representation | Paper | - |
| P22 | Rochele Gloor, Greg Corness, Rose Marshack & Aaron Paolucci | Can You Feel What I Feel? Leveraging aesthetics in visual and spatial audio VR experience | Paper | Video |
| P23 | Stuart Smith | Creating an App for Computer-assisted Art | Paper | Video |
| Wednesday 12th July 2023 |
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| Author(s) | Title | Paper | Video |
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| China Connections |
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| P24 | Bao Han & Jonathan P. Bowen | The Public Sphere and Weibo Microblogging Social Media Platforms in China | Paper | Video |
| P25 | Huan Fan & Jonathan P. Bowen | An Overview of New Media Art Exhibitions in China (2017–2022) | Paper | Video |
| P26 | Yi Ji, Sean Clark, Minliang Bai, Congxiao Sang & Yihong Yuan | A Study on the Development of Digital Art in China Through Artworks | Paper | Video |
| P27 | Ze Gao | Envisioning an Immersive Multi-Screen VR System for Museum Archive Browsing | Paper | Video |
| P28 | Ze Gao, Simin Yang & Xingxing Yang | Symbiotic Hands: A virtual reality interactive system that traverses reality | Paper | Video |
| Keynote |
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| KEY2 | Dr Mick Grierson | Professor and Research Leader, Creative Computing Institute (CCI), University of Arts London | - | Video |
| Environmental Interfaces |
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| P29 | Anna Shvets & Samer Darkazanli | Volumetric Music Composition in a VR Context | Paper | Video |
| P30 | Marco Innocenti, Guillaume Mur, Christophe Brod & Olga Kisseleva | Extracting Treescape Data from an Autonomous Smart Beehive: A project for an art museum device using near-infrared light | Paper | Video |
| P31 | Ninon Lizé Masclef & Adrien Chuttarsing | Latent Organism: A tangible interface for 3D co-creation with AI | Paper | Video |
| P32 | Sophie Dixon | Crafting Virtual Spaces with Creative AI: A case study of Lux in Tenebris | Paper | Video |
| Convergent Realities |
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| P33 | André Rangel | Rechteck Fyrkant: If they were the same thing, they were the same thing, but they are not | Paper | Video |
| P34 | Elina Argyridou, Panayiota Samara, Marinos Ioannides, Maria Hadjiathanasiou, Elena Karittevli, Iliana Koulafeti, Ioannis Panayi & Kyriakos Efstathiou | Research Methodologies for Digital Holistic Documentation of Cultural Heritage | Paper | Video |
| P35 | Racelar Ho, Sarah Vollmer & Xiaolong Zheng | 24/7 World lessness of Post-Bits Human Universe: Asynchronous Signal Transmutation | Paper | Video |
| P36 | Monika Keenan | Bridging the Divide: Creating an accessible transparent AR display | Paper | - |
| P37 | Terry Trickett | Building Less is More: A tale of two realities | Paper | Video |
| Thursday 13th July 2023 |
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| Author(s) | Title | Paper | Video |
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| Generative Art |
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| P38 | Tula Giannini & Jonathan P. Bowen | Generative Art and Computational Imagination: Integrating poetry and art world | Paper | Video |
| P39 | Daniela de Paulis | Mare Incognito | Paper | Video |
| P40 | Andy Lomas | Digital Chemotaxis | Paper | Video |
| P41 | Carl Hayden Smith, Tom Middleton and Joe Crossley | The Intentional Use of Sound Design in the Egyptian Temples and the Great Pyramid | Paper | Video |
| P42 | Carmen Gil Vrolijk | Voltaje – Art and Technology Salon: Art as an experience not as an object | Paper | Video |
| P43 | Charles de Paiva Santana, Javier Elipe Gimeno, and Vincent Tiffon | Understanding Spectral Music's Instrumental Synthesis Technique | - | - |
| Keynote |
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| KEY3 | Stephen Scrivener | Chelsea College of Art & Design, ArtistComputer Scientist | - | Video |
| Research Workshop |
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| RW1 | Raheem A. Lawal, Jonathan Weinel & Darrenlloyd Gent | Representing Amphibian Perspectives in a 3D Game Engine | Paper | Video |
| RW2 | Jairo Zaldua and Nicola Green | Imaginary Friends in (and since) isolation | Paper | Video |
| RW3 | Margarita Galandina | Preserving Captured Memories of Buryat-Mongol Folklore in Siberia | Paper | Video |
| RW4 | Haya Sheffer | Humanity Measures Itself: Self-measuring and new “post measuring discourse” | Paper | Video |
| RW5 | Ross Rodney, Jonathan Weinel & Martyn Broadhead | Retro Stylistic Transformations in Games | Paper | Video |
| RW6 | Pierre Chaumont | A Citizen Of Culture: On art as a gamified experience | Paper | Video |
| Friday 14th July 2023 |
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| Author(s) | Title | Paper | Video |
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| Workshops |
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| W1 | Geoff Davis | AI Mood Bias | - | Video |
| W2 | Carl Haydon Smith, Tom Middleton, Joe Crossley, Jose Montemayor Alba, Benjamin I. Outram, Melissa Warner | The Sacred Sound Chamber and The Cyberdelic Renaissance | Paper | Video |
