Talk: The Aleph Null Projects
Jim Andrews, Camille Baker
27th September 2023, 19:00
Zoom
Jim Andrews discusses Aleph Null, his HTML5 canvas graphic synthesizer and colour-music instrument, and traces its evolution through versions 1.0 to 3.1. He demonstrates collaborations with poets and visual series, explains his painterly brush metaphor, and reflects on generative art, net art and the lively poetics of signal amid noise.
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Video Recording
Jim Andrews presents Aleph Null as both a graphic synthesiser and an instrument of colour music, where evolving forms unfold through time without necessarily involving sound. He traces its development from Director experiments to browser software built with JavaScript and the HTML5 canvas. Demonstrations explain a painterly architecture of configurable brushes, image sampling, text, transparent layers and keyboard controls. Successive versions introduce multiple brushes, bitmap processing, mobile interaction and arranged canvases. Andrews shows collaborations with visual poets, including Bill Bissett and Jim Leftwich, alongside projects involving alchemical imagery, clocks, experimental comics and video poetry. He explains how preparing source images, removing backgrounds and retaining legible fragments prevents recombination from dissolving into indistinct noise. Political portraits combine Donald Trump with associates and historical dictators, extending generative imagery into protest rather than purely abstract exploration. Throughout, he distinguishes the changing software from selected screenshots, videos and physical prints, each offering different opportunities for attention and interpretation. Discussion considers the software itself as an artwork, users importing their own images, collaboration, musical interfaces and the abundance of generated pictures. Andrews positions his practice between poetry, visual art, sound and programming, emphasising sustained experimentation, individual expression and the distinctive possibilities of networked computer art.
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About the Event
Camille Baker chairs a Computer Arts Society talk in which Jim Andrews discusses his long-standing practice at the intersection of computer art, net art, electronic literature, and visual poetry. Andrews presents Aleph Null, an HTML5 canvas graphic synthesizer and instrument of colour music that he has developed since 2011, evolving from the earlier DB Cinema. He traces Aleph Null's growth through versions 1.0, 2.0, and 3.0/3.1: from a single-brush colour-music instrument to a multi-layer, multi-brush system capable of processing bitmaps, text, and mobile touch input. He demonstrates works produced with the synthesizer, including collaborations with poets such as Adina Caraty, Bill Bissett, Carol Azerling, and Daniel F. Bradley, and image series drawing on David Bowie, alchemical cosmology, and political figures like Donald Trump, Mussolini, and Hitler. Andrews explains his painterly brush metaphor, the poetics of signal amid noise, and the importance of curating screenshots, video poems, and high-resolution prints alongside the live, ever-changing web experience. He considers Aleph Null both an artwork in itself and a playable instrument, situates it in relation to VJ culture and colour-music history, and reflects on generative overproduction, artistic humility, and the changing fortunes of net art.