EVA London 2009
BCS Covent Garden, London, UK 6th – 8th July 2009
A. Seal, S. Keene, and J.P. Bowen (eds.). EVA London 2009: Electronic Visualisation & the Arts. Proceedings of a conference held in London 6-8 July 2009. BCS, 2009. ISBN: 978-1-906124-17-5.
Documentation
Papers
| Author(s) | Title | Paper |
|---|---|---|
| Session 1: Reconstructive Archaeology | ||
| Paul Bryan | Recording Prehistoric Rock-art: A Three Dimensional Approac | Paper |
| Hugh Corley | Tagged: Digital Photography and Archaeologists | Paper |
| Graeme Earl, Gareth Beale, Jassim Happa, Mark Williams, Glen Turley, Kirk Martinez and Alan Chalmers | A Re-Painted Amazon | Paper |
| Session 2: Digital History | ||
| Martyn Jessop | The Domesday Book: Visualization Tools to Explore Identity at the start of the Second Millennium | Paper |
| Nic Earle and Shelley Hales | Pompeii in the Crystal Palace: Comparing Victorian and Modern Virtual, Immersive Environments | Paper |
| Oana Gui, Ioan Petrescu, Theo Muresan, Oana Mara Gui, Radu Solovastru, Paul Valentin Borza and Dan Dumitrescu | Considerations Regarding the use of the Biologically Inspired Retinex Algorithm in Art Conservation-Restoration | Paper |
| Session 3: Digital History | ||
| Mathias Fuchs | Digital Tudor | Paper |
| Crandall Shifflett | Paspahegh: Visualizing a Seventeenth-Century Algonquian Indian Village in the Virginia Chesapeake | Paper |
| Jane Devine | Mejia Online Exhibitions and Archives: A Collaborative Project for Teaching and Learning in Design | Paper |
| Session 4: Virtual Museology | ||
| James Coltrain | A Picture is Worth 1,000 Pasts: How 3D Virtual Reconstructions Can Bridge the Gap Between Visitor Interest and Scholarly Debate | Paper |
| Angelina Russo | Our Space: The Convergance of Cultural Interactive Experiences and Distributed Innovation in Museums | Paper |
| Francesca Monti | The Tomb-Chapel of Nebamun at the British Museum: The Digital, the Spectacular, and the Inconspicuous Under One Limestone Roof | Paper |
| Session 5: Digital Arts: History and Theory | ||
| Ernest Edmonds | New constructs in Art: Structure, Time, Correspondences and Interaction | Paper |
| Catherine Mason | The Fortieth Anniversary of Event One at the Royal College of Art | Paper |
| Stefan Zedlacher and Michael Stadler | Mediated Situationism | Paper |
| Session 6: Digital Arts: Practice | ||
| Jeremy Gardiner | Light Years: Jurassic Coast an Immersive 3D Landscape Project | Paper |
| Frank Watson and Dave Lawrence | Isles of Grain | Paper |
| Jeehee Lee | The Secret Garden | Paper |
| Session 7: Digital Arts: Concepts | ||
| Gordana Novakovic | Fugue and Variations on some Themes in Art and Science | Paper |
| Lijia Ke | Relating Tradition to Innovation within Chinese Art | Paper |
| Session 8: Digital Arts: Practice | ||
| Sophy Smith | The Creative Uses of Facebook as a Tool for Artistic Collaboration | Paper |
| Anastasios Maragiannis | Visual Arts and 2D - 3DMotion Typo.graphic Design | Paper |
| Violetta Dajanev | Open Access to Digital Culture for Non-Professional Creatives | Paper |
| Session 9: Interfaces and Tracking | ||
| Gordana Novakovic | The Interface behind the Face | Paper |
| Myrto Karanika | Strings: A Haptic Interface | Paper |
| Mariza Dima, John Lee, Mark Wright, Abi Ullattil and Xiaoqing Cao | Designing a HapticallyExtended Interface for Digitally Animating 3D Articulated Characters | Paper |
| Amir Soltani | Panohaptic Interface for Architectural Filmic Improvisation | Paper |
| Session 10: Digital Performance | ||
| Carl Smith | The Unit of Construction + the Multiple Point of View = the Evolution of Form | Paper |
| Session 11: Immersive Environments | ||
| Thomas Duncan and Noel McCauley | Narrative Space Architecture and Digital Media | Paper |
| Colin B. Price, June S. Moore and Joanne M. Kuzma | Deconstruction-reconstruction of Computer Game and Immersive Environment Semiotics | Paper |
| Joanne Tompkins and Matt Delbridge | Using Virtual Reality Modelling in Cultural Management, Archiving and Research | Paper |
| Session 12: Computers, Music and Things | ||
| Mick Grierson | Plundermatics: Real-time Interactive Media Segmentation for Audiovisual Analysis, Composition and Performance | Paper |
| Tom Keene and Kypros Kyprianou | Aristotle's Office | Paper |