EVA London 2010
BCS Covent Garden, London, UK 6th - 7th July 2010
A. Seal, J.P. Bowen, and K. Ng (eds.) EVA London 2010: Electronic Visualisation & the Arts. Proceedings of a conference held in London 5-7 July 2010. BCS, 2010. ISBN: 978-1-906124-65-6.
Documentation
Papers
| Author(s) | Title | Paper |
|---|---|---|
| Session 1: Electronic arts | ||
| Alicia Bastos | Discovering digital cultural capital in London’s events of art and technology: reviewing the last decade | Paper |
| Jeremy Pilcher | Legal networks: visualising the violence of the law | Paper |
| Almila Akdag Salah | The online potential of art creation and dissemination: DeviantArt as the next art venue | Paper |
| Peter Cochrane | Keynote: Beyond seeing is believing | Paper |
| Session 2: Data, art and time | ||
| Alex McLean, et al. | Visualisation of live code | Paper |
| Pedro Rebelo and Robert King | Anticipation in networked musical performance | Paper |
| Ernest Edmonds | Beyond abstract film: constructivist digital time | Paper |
| Seb Chan | Tracking interactions: new ways of finding value in the use of museums | Paper |
| Session 3: The digital museum | ||
| Blanca Acuña | A new media approach: visualisation of a digital exhibition. Research on representation and design of cultural interfaces | Paper |
| Sam Hinton and Mitchell Whitelaw | Exploring the digital commons: an approach to the visualisation of large heritage datasets | Paper |
| Arden Kirkland, et al. | Context for costumes: faceted access to historic costumes | Paper |
| Session 4: Digital museum 2 | ||
| Theopisti Stylianou-Lambert and Elena Stylianou | A third space: reconsidering issues of neutrality and accessibility in the virtual art museum | Paper |
| Yvonne Hellin-Hobbs | The constructivist museum and the web | Paper |
| Ingrid Beazley, et al. | Dulwich OnView: an art museum-based virtual community generated by the local community | Paper |
| Steven Snyder and Karen Elinich | Augmented reality for interpretive and experiential learning | Paper |
| Luciana Bordoni and Giuseppe Moscara | A system for the investigation of cracks | Paper |
| Session 5: Art through evolutionary computation | ||
| Dew Harrison | Exploring Duchampian and Darwinian ideas through interactive means | Paper |
| Barry Dean and Ian Parmee | Integration of user-centred evolutionary computation with digital visualisation | Paper |
| Mohammad A Yaghan | The evolution of architectural forms through computer visualisation: muqarnas example | Paper |
| Arefe Dalvandi, et al. | Exploring Persian rug design using a computational evolutionary approach | Paper |
| Session 6: Digital art issues | ||
| Murat Germen | Photography as a tool of alienation: Aura | Paper |
| A Hoeben | Using a projected Trompe L'Oeil to highlight a church interior from the inside | Paper |
| R Collmann and A Borda | Simulated-3D visualisation of artefacts using a portable electromechanical object rig | Paper |
| Lindsay MacDonald | The limits of resolution | Paper |
| David Giaretta | Digital preservation: terminology, techniques, testing and trust | Paper |
| Session 7: Digital art issues | ||
| Gregory Sporton | Creative identity theft: issues for artists in collaborative online environments | Paper |
| Annamaria Carusi, et al. | Are digital picturings representations? | Paper |
| Session 8: Electronic resources for the public | ||
| Jules Moloney | Mixed reality and curatorial design: from existing practice to the nomad_tech museum | Paper |
| Lisa Dieckmann, et al. | Meta-Image - a collaborative environment for the image discourse | Paper |
| Karol Kwiatek and Martin Woolner | Let me understand the poetry: embedding interactive storytelling within panoramic virtual environments | Paper |
| Sylvia Grace Borda | Digital image archives as public artwork and community engagement | Paper |
| Session 9: Music and art | ||
| Matt Benatan, et al. | MiMic: a motion control interface for music | Paper |
| Martha Gabriel | Voice interfaces in electronic art | Paper |
| Kia Ng and Bee Ong | Interactive multimedia rocks for geology | Paper |
| Lisa Dalhuijsen and Lieven van Velthoven | MusicalNodes, the visual music library | - |
| Alan Read | The ceramic age: a gloss on depth | Paper |
| Session 10: Digital performance | ||
| Richard Hoadley | Implementation and development of sculptural interfaces for digital performance of music through embodied expression | Paper |
| Sam Bailey, et al. | Eye.Breathe.Music: creating music through minimal movement | Paper |
| Session 11: Digital arts practice | ||
| David R. Burns | The valuation of emerging media arts in the age of digital reproduction | Paper |
| Chris Cornish | Media archaeology in art practice | Paper |
| Rui Filipe Antunes and Frederic Fol Leymarie | Virtual worlds as art practice: EvoArt methodologies | Paper |
| Anne James and Dai Nagasaka | Architectonic influences of multimedia and their spatial significance | Paper |
| Oliver Grau | Renewing knowledge structures for Media Art | Paper |
| Session 12: Digital perceptions | ||
| Steve DiPaola | Face, portrait, mask - using a parameterised system to explore synthetic face space | Paper |
| Fernanda D'Agostino, et al. | Motion Studies: an art and science collaboration | Paper |
| Julie Innes | Capturing worlds | Paper |
| Session 13: Art in the digital age | ||
| Lisa Newman | Flesh for fantasy: the future of saomasochism and performance art in virtual worlds | Paper |
| Phil Hawks | The relevance of traditional drawing in the digital age | Paper |
| Session 14: Digital understandings of the past | ||
| Stephen Caffey, et al. | Reconstructing the Music Hall Rotunda and Annex at Vauxhall Pleasure Gardens c. 1764 | Paper |
| Martin Crampin | New light on old stone: recording and reinventing visual culture | Paper |
| Session 15: Experiencing history | ||
| Wally Smith, et al. | Re-connecting visual content to place in a mobile guide for the Shrine of Remembrance | Paper |
| Stephen Boyd Davis, et al. | Just in time: defining historical chronographics | Paper |
| Tony Longson | Ideas and influences | Paper |