EVA London 2011
BCS Covent Garden, London, UK 6th - 8th July 2011
J.P. Bowen, S. Dunn, and K. Ng (eds.) EVA London 2011: Electronic Visualisation & the Arts. Proceedings of a conference held in London 6-8 July 2011. BCS, The Chartered Institute for IT, 2011.
Documentation
Papers
| Author(s) | Title | Paper |
|---|---|---|
| Plenary Session: The three dimensions | ||
| Paul Richens and Marion Harney | Reconstruction of Historic Landscapes | Paper |
| Nick Lambert | From the dome of heaven to a cupola in space: re-engaging with imagery and symbolism through 3D digital art installations | Paper |
| Stephanie Adolf | Optical Measurement Techniques for multi-dimensional measurement of Cultural Heritage | Paper |
| Plenary Session: Museums: technologies and interactions | ||
| Sarah McDaid, Silvia Filippini-Fantoni and Matthew Cock | Handheld handholding: small-screen support for museum visitors | Paper |
| Oluwaoyin Sogbesan and Natalia Grincheva | 'Universal' access in 3000 years? The Digital Collections of the State Hermitage Museum | Paper |
| Danny Birchall | 'Things': a case study in getting from accession to online display in 60 minutes | Paper |
| Koula Charitonos, Canan Blake, Eileen Scanlon and Ann Jones | Museum Learning 2.0: How (can) Web 2.0 technologies be used for enhancing the museum learning experience? | Paper |
| Plenary Session: New digitizations | ||
| Chris Rowland | Fishing with sound: An aesthetic approach to Visualising our Maritime Heritage | Paper |
| Anthony Head | 3D Weather - Towards a Real-time 3D Simulation of Localised Weather | Paper |
| Yi-Hui Huang | Understanding digital-altered photographs through photographers' views of reality: Matt Siber as an example | Paper |
| Richard Laing and Johnathan Scott | The Devil is in the Detail | Paper |
| Parallel Session: Social Networking | ||
| Rob Burton | 'KikiSalon Presents...': A Journey into Conceptual Brand and Product Development utilising Social Networking and New Media to Analyse Issues of Diversity, Authenticity and Collaborative Practices in Art and Design | Paper |
| Maureen Kendal and Alan Hudson | On the Beach - A handbook for using 3D virtual digital platforms like Second Life - 'the WEISL' - 'Writing Explorations in Second Life' | Paper |
| Doron Goldfarb, Max Arends, Josef Froschauer, Dieter Merkl and Martin Weingartner | Combining Cultural Heritage Related Web Resources in 3D Information Landscapes | Paper |
| Parallel Session: Demonstrations | ||
| Jan Wojdziak, Martin Zavesky, Ingmar S. Franke, Christian Lambeck and Rainer Groh | Guest Login - Visitor-centred Information Design | Paper |
| Parjad Sharifi | Whispers of The Still City | Paper |
| Marilli Mastrantoni and Evangelos Haviaris | De-Fences | Paper |
| Plenary Session: Virtual Worlds | ||
| Paul Hazelwood, Amanda Oddie, Steve Presland and Brian Farrimond | 3D Spatiotemporal Reconstruction of Places and Events for Digital Heritage | Paper |
| Amanda Oddie, Paul Hazelwood, Brian Farrimond and Steve Presland | Applying Deductive Techniques to the Creation of Realistic Historical 3D Spatiotemporal Visualisations from Natural Language Narratives | Paper |
| Simon Elliott | The Garden of Ideas | Paper |
| Keynote Paper | ||
| Paul Squires | Digital Publishing: tension and attention | Paper |
| Plenary Session: Visualisation of Spaces | ||
| Amir Soltani | Embodied Airborne Imagery: Low-Altitude Urban Filmic Topography | Paper |
| Richard Beales, Ajay Chakravarthy, Sam Kuhn, Steve Luther, Michael Selway, Mike Stapleton and James Stevenson | ICON: Authentic 3D Cultural Heritage Models for the Creative Industries | Paper |
| Xin Li, Xia Zhang, Peng Cui, Zhiyong Fu, Shiqiang Yang and Baoguo Cui | The Visualization of Mass Information in Social Network with a Holistic View | Paper |
| Graham Diprose and Mike Seaborne | An Alternative Approach to Conserving Digital Images into the 23rd Century | Paper |
| Parallel Session: 3D Imaging Technology | ||
| Richard Collmann and Dirk van der Knijff | Virtual 3D Object Imaging for Cultural Artefacts: Demonstrator | Paper |
| Graeme Earl, Philip Basford, Alexander Bischoff, Alan Bowman, Charles Crowther, Jacob Dahl, Michael Hodgson, Leif Isaksen, Eleni Kotoula, Kirk Martinez, Hembo Pagi and Kathryn E. Piquette | Reflectance Transformation Imaging Systems for Ancient Documentary Artefacts | Paper |
| Lindsay W. MacDonald | Visualising an Egyptian Artefact in 3D: Comparing RTI with Laser Scanning | Paper |
| Parallel Session: Education and Philosophy | ||
| Charlotte Crofts | Technologies of seeing the past: the Curzon memories App | Paper |
| Colette Tom | Digital Simulation: a new kind of artifice? | Paper |
| Karen Cham | The architecture of the image | Paper |
| Parallel Session: History | ||
| Xavier Laumain, Angela López Sabater and Carlos Huerta Gabarda | Virtual technologies for archeaological studies of Nolla's ceramic mosaics | Paper |
| Tessa Morrison and Ning Gu | What architectural historians can learn from augmented reality technologies? | Paper |
| Elena Logdacheva, Yuri Vinogradov, Sergei Shvemberger and Nikolay Borisov | 3D reconstruction of Cimmerian Bosporus painted crypts | Paper |
| Alan Payne, Peter Fry, Heather Lane, Robert Smith and Julio D'Escrivan | Semantic browsing: a new way to explore and discover heritage treasures | Paper |
| Dimitris Mylonas and Lindsay MacDonald | An online colour naming workshop | Paper |
| Plenary Session: Digital Art | ||
| Sean Clark | Revisiting interactive art systems | Paper |
| Donatella Barbieri | Encounters in the archive - capturing the experience of the interaction between the artist and the archive | Paper |
| Azadeh Mohammadi and Taraneh Meshkani | Interactive wallpaper (Panel Session) | Paper |
| Keynote Paper | ||
| Beryl Graham | Museums, new media art, documentation and collection | Paper |
| Plenary Session: Performance Technology | ||
| Ruth Gibson | Capturing stillness: visualisations of dance through motion/performance capture | Paper |
| Matt Benatan, Ian Symonds and Kia Ng | Mobile notion: multimodal device augmentation for musical applications | Paper |
| Grethe Mitchell and Andrew Clarke | Capturing and Visualising Playground Games and Performance: A Wii and Kinect based motion capture system | Paper |
| Parallel Session: Performance | ||
| Daniel Felstead and Kate Bailey | Curating performance installations | Paper |
| Paul Wiersbinski | TOYs - interactive AV performance | Paper |
| Parallel Session: Demonstrations | ||
| Radu Moraru, Oana Gui and Pr.Ioan Chirilã | 3D modelling of an important symbol of orthodox wooden churches: the imperial gates | Paper |
| Iñigo Giner Miranda | Tratado de imágenes (for live trio and video track) | Paper |
| Joe Osmond | Birdsong for prisoners | Paper |
| Plenary Session: Visualisation and the arts | ||
| Veronika Reichl | The Joy of Visual Metaphors | Paper |
| Tom Keene | The Apple Barrier: an open source interface to the iPhone | Paper |
| Susan Jane Jones and Lynne Hall | The photograph as a cultural arbitrator in the design of virtual learning environments for personal and social education for children and young people | Paper |
| Conference exhibition and research workshop | ||
| Martha Gabriel | Sensitive Rose and the Cross-media Era | Paper |
| Seana McNamar | The Norse Myth of Odin - digital art series on thought and memory | Paper |
| Javier Pereda | Lucha Libre: visualizing behind the mask | Paper |
| Mikel Horl | Digital rejoinders: time and place, hither and thither, war and peace | Paper |
| Anastasios Maragiannis and Emmanouil Kanellos | Typographical Experimental Research in AudioVisual Spaces [T.E.R.A.S. lab] | Paper |
| Phil Taylor | The lo-fi phenomenon - analogue versus digital in the creative process | Paper |
| Eva Van Passel | Sustainable Digital Access to Cultural Heritage: Organizational, Financial and Policy Challenges | Paper |
| Lewis Sykes | The Augmented Tonoscope | Paper |
| Angeliki Chrysanthi, Constantinos Papadopoulos and Tom Frankland | Evaluating 'Tangible Pasts': A Mixed Reality Application for Cultural Heritage | Paper |
| Joe Osmond | Abstract Animation and the Art of Sound | Paper |
| Renata Gaspar | Moving Along: performance and moving-image as contemporary media of a global circulation of culture | Paper |