EVA London 2013
BCS Covent Garden, London, UK 29th - 31st July 2013
K. Ng, J.P. Bowen, and S. McDaid (eds.) EVA London 2013: Electronic Visualisation & the Arts. Proceedings of a conference held in London 29-31 July 2013. BCS, The Chartered Institute for IT, 2013.
Documentation
Papers
| Author(s) | Title | Paper |
|---|---|---|
| Digital enhanced reality | ||
| Martha Henson, Alex Butterworth and Danny Birchall | Creating Magic on Mobile | Paper |
| Tula Giannini | Visualizing Brooklyn: the Brooklyn Visual Heritage Website | Paper |
| Oliver Gingrich, Eugenia Emets and Alain Renaud | Enhancing Presence - Immersive Sound Environments as Presence Generating Factor | Paper |
| Keynote | ||
| Steve DiPaola | Future trends: Adding Computational Intelligence, Knowledge and Creativity to Interactive Exhibits and Visualisation Systems | Paper |
| Computer arts | ||
| Steve DiPaola and Allison Smith | Interactively Exploring Picasso's Multi-diamentional Creative Process in Producing Guernica | Paper |
| Pattarawut Subyen, Thecia Schiphorst and Philippe Pasquier | EMVIZ (flow): An Artistic Tool for Visualising Movement Quality | Paper |
| Joanne Armitage and Kia Ng | Multimodal Music Composition | Paper |
| Tom Scholfield | Neurotic Armageddon Indicator: A Data Sculpture | Paper |
| Research workshop | ||
| Atif Akin | User Frames in Media Arts | Paper |
| Rehan Zia | Corfe Castle - In a Different Light | - |
| Carl H Smith | Experience Communication through Post Digital Design | Paper |
| Pierre-Francois Gerard | ArchiMemory | Paper |
| Min Zhang | 'A is for Art' - Draw Paintings in You Mind | Paper |
| Ezwan M.Mokhtar and Marco Gillies | How I Animate: An Hand Guesture-Centric Technique | Paper |
| Nanette Hoogslag | (Reinventing) Editorial Illustration in Online News Media | Paper |
| Data visualisation | ||
| Florian Kräutli and Stephen Boyd Davis | Known Unknowns: Representing Uncertainty in Historical Time | Paper |
| Carina E.I. Westling, Leon Barker, Aoife Healy, Robert Needham, Harry J. Witchel and Nachiappan Chockalingham | Spatial Data Correlation: An interactive 3D visualisation tool for correlating the motion cature data streams from different devices | Paper |
| Jen Southern and Chris Speed | Shared distance: The Poetry of Data in Collaborative GPS Visualisations | Paper |
| Music and performance | ||
| Gavin Wood and Aeron Buchanan | Introducing the Music Access Platform | Paper |
| Rebecca Carter, Thomas McKenzie, Lawrence Sarker and Kia Ng | From Seeing to Feeling Sound: A Multimodal Interface for Trans-Domain Mapping of Sound | Paper |
| Marco Gillies, Shakti Zapata Gomez and Sebastian Zimmer | Suzie's Dance: Reliving Dance through Motion Capture Animation of Photographs | Paper |
| Elisa Sereno-Janz | FiddleLights: Kinetic Signatures of the Bow Hand - Visualising Fiddle Tunes and Contemporary Violin Performance | Paper |
| Workshop | ||
| Tara Daniel, Linsey Pollak and Michelle Williamson | The Sound Playground | Paper |
| Museums, libraries and archives | ||
| Tessa Morrison, Helen Giggins and Nicholas Foulcher | Timeline Newcastle: Reconstructing Industrial Newcastle - Implementation and Exhibition | Paper |
| Eoin Kilfeather | Visualising Museum stories | Paper |
| Katina Hazelden, Matthew Yee-King, Roberto Confalonieri, Fiammetta Ghedini, Carles Sierra and Mark d'Inverno | WeCurate: Enriching the Sociocultural Practices of the Museum Experience | Paper |
| Art and electronics | ||
| Frauke Zeller and David Harris Smith | My kulturBOT 1.0 | Paper |
| Suk Kyoung Choi and Steve DiPaola | How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity | Paper |
| Jerome J.Leary | Development of Portable Painting Format for CNC Painting | Paper |
| Keynote | ||
| Linda Candy | Creativity and Evaluation: Supporting Practice and Research in the Interactive Arts | Paper |
| Scientific visualisation | ||
| Diana Marques, Robert Costello and José Azevedo | Augmented Reality Facilitating Visual Literacy for Engagement with Science in Museums | Paper |
| Augoustinos Tsiros | The Dimensions and Complexities of Audio-Visual Association | Paper |
| Mieke Pfarr-Harfst | Virtual Scientific Models | Paper |
| Ed Cookson and Will Case | London 2012 Olympic and Paralympic Opening and Closing Ceremonies: Audience Pixel Content | Paper |
| Built and natural environment | ||
| Simone Helena Tanoue Vizioli, Joubert José Lancha and Paulo César | Castral Drawing and Surface: Freehand Architectural Drawing Mediated by Digital | Paper |
| Vajira Premadasa and Michael Pearce | Digital Visualisation and Design Development in Historic Building Projects | Paper |
| Tessa Morrison | Utopian Cities from 15th to 19th Century Literature: A Philosophical Investigation through 3-D Visualisation | Paper |
| Demonstration | ||
| Mel Woods, Hadi Mehrpouya and Jamie Forth | Booksight: Visualising the Library of Ideas | Paper |
| Rebecca Holderness and Matthew Russell | Learning to Think and Create Outside the Box: Using Digital Media in a Blended Theatre Course | Paper |
| Marianne Markowski and Dominique Rivoal | Teletalker - Making Online Face-to-Face Interaction Easier for Older People | Paper |
| Demonstration | ||
| Carol MacGillivray, Bruno Mathez and Frederic Fol | Leymarie The Diasynchronoscope Project: Investigations in Screen-less Apparant Motion | Paper |
| Museums, Libraries and Archives | ||
| Eva Van Passel and Olga Van Oost | On Convergence and Open Data: Challenges for Libraries, Archives and Museums | Paper |
| Irida Ntailla | Haptic Interactions through Touch-Screen Interfaces | Paper |
| Demonstration | ||
| Jazz Rasool | Advancing Traditional Relevance Based Social Networking to Resonance Driven Social Fieldworking using Mindfulness Visualisation | Paper |
| Lucie Hernandez | Exploring the Infographic: Designing our Digital Selves | Paper |
| Motion and Performance | ||
| Ian Grant | Surfaces and Shadows: Digital Shadow Puppetry and Augmented Silhouette Performance | Paper |
| Paula Varanda | Body and Movement Visualisations in New Media Dance | Paper |
| Kelly Hamilton | Mapping Motion: The Principles of Motion Capture and the Law of Projection | Paper |
| Keynote | ||
| Don McIntyre | Open Locast: How MIT's evolving media platform is being used to improve connections between people and their social, cultural, and physical spaces | Paper |
| Workshop | ||
| Derek J.Smith | The Cognitive Science of Aesthetic Interaction | Paper |
| Imaging | ||
| Gareth Beale, Nicole Beale, Ian Dawson and Louisa Minkin | Making Digital: Visual Approaches to the Digital Humanities | Paper |
| W.Ryan Dodge and Laura Haapio-Kirk | The Sharypic PhotoWall at the Royal Ontario Museum: An experiment in real-time crowdsourcing | Paper |
| Ileana Maris, Ard Huizing, Wim Bouman and Marijke Ooserbroek | The Curious Case of Design Thinking in Museums | Paper |
| Demonstration | ||
| Brian Wichmann and Tony Lee | Analysis and Synthesis of Islamic Geometric Designs | Paper |
| Computer Arts | ||
| John Hillman | Ten Things to Take: A community education project to re-image space place & memory using digital photography | Paper |
| Karl Harrison, Jonathan P. Bowen and Alice M. Bowen | Electronic Visualisation in Chemistry: from Alchemy to Art | Paper |
| Valerie Mace | Re-imaging the Environment | Paper |
| Hans-Peter Gasselseder | Re-orchestrating Game Drama: The Immersive Experience of Dynamic Music in Video Games | Paper |
| Seeing music and performance | ||
| Camille Baker | Open-source, Custom Interfaces and Devices with Live Coding in Participatory Performance | Paper |
| Camille Baker and Kate Sicchio | Hacking the Body | Paper |
| Anna Shvets | Interactive Application for Visualisation of the Form of Written Postmodern Music | Paper |
| Exhibition | ||
| Flavia Caviezel | RhyCycling - Fluid Borderland | Paper |
| Amy Cunningham | Oracle: The Articulation of Promise | Paper |
| Ernest Edmonds | Shaping Form Sussex (the movie) | Paper |
| Jing Zhou | Interactive Book of Changes - 'I Ching' | Paper |
| Jing Zhou | Living Mandala {interactive art project} | Paper |