EVA London 2015
BCS Covent Garden, London, UK 7th - 9th July 2015
K. Ng, J.P. Bowen, and N. Lambert (eds.) EVA London 2015: Electronic Visualisation & the Arts. Proceedings of a conference held in London 7-9 July 2015. BCS, The Chartered Institute for IT, 2015.
Documentation
Papers
| Author(s) | Title | Paper |
|---|---|---|
| V&A Digital Futures meets EVA London | ||
| Joanne Armitage & Kia Ng | 'Unheard' Sounds' | Paper |
| Steve DiPaola & Sara Salevati | Reflections of Essence | Paper |
| Tomi Dufva & Mikko Dufva | Fractalnoia - 11 Datasets You Cannot Believe Just Happened | Paper |
| Hadi Mehrpouya, Chris Barker & Mina Braun | Zaytoun, Visualising Human made Disaster through Interactive Illustration | Paper |
| Esteban Garcia Bravo, Jorge A. Garcia & Aaron Zernack | XV: Reactive Spaces | Paper |
| Elke E. Reinhuber | Face Value - Augmented Reality Enhanced Photography | Paper |
| Eleanor Lisney & Kirsten Forkert | Images of Protest in Social Media for the Virtual Community | Paper |
| Eric Lesdema & Stephanie Bolt | Butchery by Light | Paper |
| Music and Performing Arts | ||
| Lorna Moore | PULse 04: Be[ing] in the Zone - a Moist Emotion Between Body Matter and Digital Media | Paper |
| Isabel Briant, Jeremy Gaisie, Thomas Morris, Francis Robson, David Moore & Kia Ng | LIVeMotion: A Multi-Sensory System to Encourage the Awareness of Mindfulness | Paper |
| James C. Oliverio, Angelos Barmpoutis, Chad Juehring & Anton Yudin | Enhancing Global Collaboration through Network-empowered Live Performance | Paper |
| Keynote | ||
| Dan Crow | How Songkick is using Technology to Change Live Music | Paper |
| Music & Performing Arts II | ||
| Joanne Armitage & Kia Ng | Configuring a Haptic Interface for Music Performance | Paper |
| Kelly Hamilton | Mapping Motion II: Motion Capture and the Visualisation of Dance | Paper |
| Beatrice Bretherton, Luke Windsor & Kia Ng | Tempo and Autonomic Control of the Heart | Paper |
| Music & Performing Arts III | ||
| Damián Keller, Nuno Otero & Leandro Costalonga | Aesthetic Heuristics in Ubimus | Paper |
| Charles de Paiva Santana, Jônatas Manzolli, Jean Bresson & Moreno Andreatta | Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models | Paper |
| Jonathan Weinel | Representing Altered States of Consciousness in Computer Arts | Paper |
| Evan S. Raskob | Sound Spirals | Paper |
| Paul Golz & Genevieve Smith-Nunes | [arra]stre- A Data-driven Ballet | Paper |
| Charlotte Jarvis & Nick Goldman | Music of the Spheres | Paper |
| Visualisation | ||
| Cristina Portugal | ADesign and Digital Interactive System for Medicine | Paper |
| Cristina Portugal, Eliane Jordy, Ana Correia, Rita Couto & Felipe Alram | ADesign and Narrative for Deaf and Listener Children | Paper |
| Daniel Buzzo & David Jonas | ADesigning for the Impossible: Creating a Mobile Application to Track Time Dilation | Paper |
| Anna Shvets | A New Representation System in Tonal Harmony for Analysis and Creation | Paper |
| Augoustinos Tsiros and Grégory Leplâtre | AniMorph: Animation Driven Audio Mosaicing | Paper |
| Mat Dalgleish, Chris Payne & Steve Spencer | Adding Value: Combining Ambient Visual and Vibrotactile Feedback to Encourage Good Posture in Trumpet Players | Paper |
| Joe Osmond | Crossing Borders | Paper |
| Research Workshop | ||
| Sarah Younan | Towards a Digital Museum Dream Space | Paper |
| Marinos Koutsomichalis & Afroditi Psarra | Computer-aided Weaving: From Numerical Data to Generative Textile | Paper |
| Francesca Guerrera | Art Wonder: Using Technology Enhanced Learning (TEL) and Wearable-enhanced Learning (WELL) in the Museum Context to Enhance their Visitors' Experience | Paper |
| Ryan Kirkbride and Kia Ng | Infinite Remix Machine: Automatic Analysis and Arrangement of Musical Recordings | Paper |
| Dorine Flies | MineCraft - A Media for Resilience | Paper |
| Ivan Grinko | Museum and Maps in Virtual Reality | Paper |
| Živa Ljubec | Growing Cyberceptive Organs with Electronic Environments | Paper |
| Marios Athanasiou | Omega Point: An Electronic Visualisation of a Quantum Theory of Consciousness | Paper |
| Dalia Yassine | Memory Machines: Exploring How Digital and Wearable Technologies can be used to Visualise the Phenomena of Memory and the Concept of Identity | Paper |
| Marina Vesic & Diogo Lopes | Electrical Impulses (A Keyboard & Clarinet Performance) | Paper |
| Arts I | ||
| Sara Salevati & Steve DiPaola | A Creative Artificial Intelligence System to Investigate User Experience, Affect, Emotion and Creativity | Paper |
| Tom Ensom | Collecting and Conserving Software-based Art (outside the institution) | Paper |
| Tine Bech | SPlayful Interactions: A Critical Inquiry into Interactive Art and Play | Paper |
| Keynote | ||
| Will Prentice | Save Our Sounds: Audio preservation and the British Library | Paper |
| Interdisciplinarity | ||
| Elaine Shemilt | The Scales of Life - A case study on an Art-Science Visualisation | Paper |
| Marianne Markowski, Irida Ntalla, Christina Kamposiori & Vasileios Routsis | Multidisciplinary Perspectives on Affective Experiences | Paper |
| Jeremy Pilcher | The Art of Voting | Paper |
| Jonathan P. Bowen & Tula Giannini | Galois Connections: Mathematics, Art and Archives | Paper |
| Animation & Visualisation | ||
| John MacCallum & Teoma Naccarato | The Impossibility of Control: Real-time Negotiations with the Heart | Paper |
| Dylan Gauld | Beneath the Waves and Beyond the Screen: Visualising Subsea Survey Data in Three Dimensions | Paper |
| Mat Dalgleish, Chris Payne & Richard Burn | Uchronie: Revisiting Analogue Computing to Expand the Language of A/V Synthesis | Paper |
| Iñaki Arredondo | The Tech behind Creating an Experience on a Mobile/Tablet Platform | Paper |
| Jerome J. Leary | Art Visualisation in the EMDR Psychotherapy Process | Paper |
| Mark Hursty & Victoria Bradbury | A Magic Lantern Data Projector | Paper |
| Oana Gui & Radu Moraru | Art and Engineering | Paper |
| Julian Stadon | Data Body Banking: Understanding Post Biological Identity through Embodied Mixed Reality Art | Paper |
| Gareth Polmeer | Processes and Variations in Digital Landscapes | Paper |
| Chiara Passa | Live Sculpture | Paper |
| Arts II | ||
| Liam Noah Jefferies | From Space to Interface: Augmented Reality, a Model for Participation | Paper |
| Chris Henschke | Colliding Events: Art Projects at the Large Hadron Collider | Paper |
| Meehae Song & Steve DiPaola | Exploring Different Ways of Navigating Emotionally Responsive Artwork in Immersive Virtual Environments | Paper |
| Jo Stockham | Hard Copy | Paper |
| Camille Baker & Kate Sicchio | Stitch, Bitch, Make/Peform: Wearables and Performance | Paper |
| Cultural Heritage 1 | ||
| Lindsay MacDonald, Jane Masséglia, Charles Crowther, Ben Altshuler, Sarah Norodom, Andrew Cuffley & James Grasby | Imaging the Egyptian Obelisk at Kingston Lacy | Paper |
| Katrin Wolf, Essam Abdelhady, Yomna Abdelrahman, Thomas Kubitza & Albrecht Schmidt | meSch - Tools for Interactive Exhibitions | Paper |
| Jinhee Kim | The Supersti+Tech Project: A Reinterpretation of Superstition through New Media Technology | Paper |
| Keynote | ||
| Christina Miller | Navigating Horizon 2020 Funding | Paper |
| Virtual Tours & Virtual Heritage | ||
| Carla Maria Furuno Rimkus & Rita de Cássia Maia da Silva | New Relations with the Architectual Heritage Education | Paper |
| Anna Neovesky & Julius Peinelt | A Virtual Tour to the Inscriptions of the UNESCO World Heritage Site St. Michael in Hildesheim | Paper |
| Valentina Fois | The Prosumer: The Key Player of the Museum of the Future | Paper |
| Scott L. Smith | Stopmotion Photowalk Animation for Spatial Immersion in a Remote Cultural Heritage Site | Paper |
| Tobias Ziegler | Innovative, Participatory Listening and Seeing Experiences in Museums | Paper |
| Duc Tran, Andrew Couch, Robert Pickering & J C Diaz | Gilcrease on Wheels: Incorporating Electronic Interactive Experiences | Paper |
| Maria Luce Lupetti, Claudio Germak & Luca Giuliano | Robots and Cultural Heritage: New Museum Experiences | Paper |
| Michael Orthwein | 360 'Beyond the Screen' - Immersive, Stereo-Surround Projects in cooperation with Museum of Ancient Seafaring in Mainz | Paper |
| Museum | ||
| Matt Faber | Free lunch: Open Source Solutions for the Digitisation Workflow | Paper |
| Tilly Blyth & Anne Prugnon | Storytelling the Information Age | Paper |
| Maximilian von Grafenstein, Eva Schneider & Nancy Richter | MAUERSCHAU: A Mobile Virtual Museum Postmodern Storytelling through Digital Media | Paper |
| Moshe Caine | The 3D Scanning of the Mantua Ark | Paper |
| Chris A. Wright | Anywhere is Everywhere - Tales of a Virtual Traveller | Paper |
| Reese Muntean, Kate Hennessy, Alissa Antle, Susan Rowley, Jordan Wilson, Brendan Matkin, Rachael Eckersley, Perry Tan & Ron Wakkary | ʔeləw̓k̓ʷ – Belongings: A Tangible Interface for Intangible Cultural Heritage | Paper |
| Exhibitions at BCS | ||
| Anna Dumitriu & Alex May | Sequence | Paper |
| Murray McKeich | Spiral Gall | Paper |
| Jonathan Weinel | Optical Research: A Curated Visual Music Collection | Paper |
| Ian Willcock | You. Here. Now | Paper |