Jonathan P. Bowen, G. Diprose, and N. Lambert (eds.) EVA London 2017: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11-13 July 2017. BCS, The Chartered Institute for IT, 2017.
Author(s) | Title | Paper |
---|---|---|
Symposium | ||
Jonathan P. Bowen, Tula Giannini & Gareth Polmeer | Coded Communication: Digital Senses and Aesthetics, Merging Art and Life | Paper |
Heritage | ||
Ann Borda & Jonathan P. Bowen | Smart Cities and Cultural Heritage - A Review of Developments and Future Opportunities | Paper |
Julia Forrester-Sellers, Alfredo Velasco, Robert Pickering & J C Diaz | Classifying Ancient West Mexican Ceramic Figures Using Three-Dimensional Modelling and Machine Learning | Paper |
Xavier Aure, Paul O'Dowd & Joseph Padfield | Generating 3D Models of Paintings through the Combination of 2D, 3D and RTI Data | Paper |
Keynote | ||
Kim Veltman | Perspective from Antiquity to the Present | Paper |
Books and Publishing | ||
Marius Hug | Meggendorfer online - Animating Movable Books | Paper |
Marina Sparvoli, Candy Tenorio, Mario Gazziro & João Paulo Gois | NUI-Marbling | Paper |
Graham Diprose, Gary Roberts & Amalia Toyas | Voices from the Savannah: An Innovative Approach to Self Publishing | Paper |
Museums and Social Media | ||
Jonathan P. Bowen & Tula Giannini | Life in Code and Digits: When Shannon met Turing | Paper |
Nicole Graf | Crowdsourcing - The Real People behind the Crowd | Paper |
Conni Rosewarne | Digital Agents: How Can Museums Participate in Digital Activism and what are the Tensions therein? | Paper |
Big Data and Visualisation | ||
Steven Aishman | Live Demonstration of Using Big Data sources in Artistic Practice | Paper |
Sam Cottrell | Understanding Textual Uncertainty in Dates Using Interactive Timelines | Paper |
Joanna Gancarczyk & Anna Olszewska | Which Entry is More Similar? A Non-linear Visualisation of Query Results in Image Retrieval and Image Recognition Problem | Paper |
Research Workshop | ||
Anastasia Tyurina | The Unseen Water: Experimentation with Scientific Photomicrography and Creative Coding | Paper |
Fabio Morreale | Divesting Control to the Machine in Digital Art | Paper |
Steven Aishman | Social Media Platforms as Artistic Medium | Paper |
Lozana Rossenova | Presentation and Contextualisation in the Online Archive of Internet Art | Paper |
Aphra Shemza | Public Interactive Art: Environmental Challenges | Paper |
Lumen Sonic | ||
Sean Clark & Esther Rolinson | Signal: A Systems-based Creative Collaboration | Paper |
Bhakti Duran, Jinsil Hwaryoung Seo, Brian Smith & Echo Zhao | Sonic City | Paper |
Sama Mara A | Hidden Order: Exploring the Relationship of Music and Art through Geometry | Paper |
Annie Sungkajun & Jinsil Hwaryoung Seo | Rainy Garden | Paper |
Demonstrations 1 | ||
Athanasios Velios, Sebastian Faubel & Moritz Eberl | Artivity: Documenting Digital Art Practice | Paper |
Frauke Zeller, David Harris Smith, John Eyles, Débora Silva de Jesus, Lauren Dwyer, Daven Biglow & Emily Eyles | Virtual Worlds for Facilitating Urban Development Dialogue | Paper |
Brendan Walker & Marianne Markowski | The Megafobia V-armchair Thrill-seeking Experience for Older Audiences - An Artistic Intervention at Age UK Barnet | Paper |
Steve DiPaola & Sara Feldman (Salevati) | Lucid Self | Paper |
Animation | ||
Alan Dunning | The Errant Space - The Reshaping of Place through the Visualisation of Ambient Environmental Audio | Paper |
Graham Newman | How Might Generative Art be a Proposition for Cross Curricular Learning in Schools | Paper |
Demonstrations 2 | ||
Naomi Dines | Precious, Tiny and Shiny: Close-range Photogrammetry for Artists and Others | Paper |
Jinsil Hwaryoung Seo, Annie Sungkajun & Meghan Cook | inTouch Wearables: Aesthetic Design of Remote Touch in Child-Parent Relationships | Paper |
Music | ||
Sama Mara | Harmony, the Union of Music and Art | Paper |
Florent Di Bartolo | Visualising the Multimedia Archives of Bourges's Institute of Electro-acoustic Music | Paper |
Augoustinos Tsiros | Sonic Xplorer: A Machine Learning Approach for Parametric Exploration of Sound | Paper |
Keynote | ||
Sean Rogg | Exploiting Trauma as an Artistic Medium | Paper |
Virtual Art | ||
Paris Xyntarianos Tsiropinas, Kostas Bailas & Thomas Spyrou | The Process of Transferring a Draft Sketch from Small to Large Scale in order to Create Street Artworks: A Case Study Supported by the 'DDArtS | Paper |
Shannon Cuykendall, ProphecySun, Reese Muntean, Thecla Schiphorst & Steve DiPaola | A Framework for Hybrid Multimodal Performances | Paper |
Neuroscience and Therapy | ||
Kimberly Hobby, Kristin Carlson & Dane Wheaton | Rehabilitating Experience: Designing an Aesthetic and Movement-based Game for Physical Therapy | Paper |
Augoustinos Tsiros | The Parallels between the Study of Cross-modal Correspondence and the Design of Cross-Sensory Mappings | Paper |
Luca M. Damiani | Art, Design and Neurodiversity | Paper |
Demonstrations 3 | ||
Bhakti Duran & Jinsil Hwaryoung Seo | Upside Down | - |
Chiara Passa | Dimensioning 1,2,3 | Paper |
Scott Kidall | Embodied Data and Digital Fabrication: Demonstration with Code and Materials | Paper |
Post-human Bodies and Generative Systems | ||
Birgitte Aga & Mike Phillips | This is Where We Are - Collectively Living, Working and Being, with and through Predictive Algorithms | Paper |
Julian Stadon | Data Body Trader: Identity Augmentation and Post-Biological Organ Trade | Paper |
Kristina Pulejkova | The Future Human: Exploring Posthuman Aesthetics through Digital and Immersive Technologies | Paper |
Jon McCormack | Working with Generative Systems: An Artistic Perspective | Paper |
Design | ||
Ian Willcock | Tools for Designing Experience: Repurposing Design Resources for the Emerging Experience Economy | Paper |
Jonathan Michaels | Drawing Out Ideas: Computer Models, Artworks and the Generation of Knowledge | Paper |
Cristina Portugal | Design and Visual Arts for Digital Literature | Paper |
Demonstrations 4 | ||
Jim Bizzocchi, Arne Eigenfeldt, Phillippe Pasquier, Jianyu Fan & Le Fang | Berlin Remix | Paper |
Virtual Perception | ||
Julian Hawkins | Paper to Screen Migration and its Possible Impact on Photography | Paper |
Enrico Pietrogrande, Alessandro Dalla Caneva & Nicola Sartorello | Visions of an Imagined Venice Suspended Between Memories and New Possibilities | Paper |
Carl H Smith, Jazz Rasool, Nick Lambert, Robert Pepperell, Tony Langford, Lena Korkovelou & Alistair Burleigh | Natural Media | Paper |
Mapping Digital Art | ||
Tom Jefferies & Jane Anderson | City Verve Internet of Things Demonstrator: City Verve Commisions: Manchester's Plinth | Paper |
Kelly Hamilton | Mapping Spaces: Three-Dimensional Visualization and Design in Landscape Architecture | Paper |
David Upton | The Portrait Machine | Paper |
Interdiciplinary Creativity | ||
David Gibson, Adam Spry & Matthew Pope | Considerations for the Design of Composite 3D Printed 'Intermediate Level' Trumpets | Paper |
Raffaella Folgieri, Ludovico Dei Cas, Dario Dei Cas, Maria Elide Vanutelli & Claudio Lucchiari | The Creative Mind - DRACLE | Paper |
Sara Feldman (Salevati), Steve DiPaola & Ozge Nilay Yalcin | Engagement with Artificial Intelligence through Natural Interaction Models | Paper |
Terry Trickett | Ragtime: Glimpses of Akbar's Court at Fatehpur Sikri | Paper |
Demonstrations 5 | ||
Joyce Rudinsky & Victoria Szabo | Psychasthenia 3: Dupes | Paper |
Joseph Norman | Dirty Nature: Aesthetics and Ecology in Contemporary Art and Animation Exploring the Anthropocene | Paper |
Joanna Gancarczyk & Anna Olszewska | Touchscreen User Interface Design for Content Based Image Retrieval | Paper |
Demonstrations 6 | ||
Heidi M. Aishman | Curating in the Gap: Inhabiting the Digital Space | Paper |
Lumen | ||
Carla Gannis | The Augmented Selfie | Paper |
Rachel Ara | The Making of a Digital (Master) Piece | Paper |
Vicky Isley & Paul Smith | Artistic Interpretation of a Malaria Transmission Scenario | Paper |
Keynote | ||
Bruce Wands | The Engagement of Digital Art with Contemporary Art | Paper |
Imaging for Heritage | ||
J. Kirk Irwin | Within the Medieval Perspectival Image: New Methods Old Art | Paper |
David Saunders, Richard Collmann & Ann Borda | Reflectance Transformation Imaging and ImageJ: Comparing Imaging Methodologies for Cultural Heritage Artefacts | Paper |
Chris Rowland & Kari Hyttinen | Photogrammetry in Depth: Revealing HMS Hampshire | Paper |
VR and Art | ||
Aynur Kadir, Ozge Nilay Yalcin, Kate Hennessy & Steve DiPaola | Embodied Interactions with a Sufi Dhikr Ritual: Negotiating Privacy and Transmission of Intangible Cultural Heritage in 'Virtual Sama' | Paper |
Irene Brown | View to the Past | Paper |
Meehae Song & Steve DiPaola | Framework for a Bio-Responsive VR for Interactive Real-time Environments and Interactives | Paper |
Demonstrations 7 | ||
Jing Zhou | Through the Aleph: A Glimpse of the World in Real Time | Paper |
Liam Noah Jefferies | It Would be a Pleasure: Augmented Reality and Engagement in a Heritage Context | Paper |
Internet Art | ||
Irini Papadimitriou & Luca M. Damiani | MozEx: Web? Arts? Tech? Experience? | Paper |
Diego Garro | Autonomous Meridian Sensory Response - From Internet Subculture to AudioVisual Therapy | Paper |
Philip Galanter | Mini-XEPA: A Installation of Collaborating Intelligent Light and Sound Sculptures | Paper |
Immersion and Moving Image | ||
Agata Marta Soccini | Virtual Environments before Pixels: Yayoi Kusama's impact on Virtual Reality | Paper |
Genevieve Smith-Nunes & Camila Neale [pain]Byte | VR Storytelling & Classical Ballet | Paper |
Harvey Goldman | Poetry Inspired, Physics Driven, Experimental Animation | Paper |
Final Plenary and Lumen Panel | ||
Sara Feldman (Salevati) | Co-Creation: Human & AI Collaboration in Creative Expression | Paper |
Moshe Caine & Michael Magen | Low Cost Heritage Imaging Techniques Compared | Paper |
Digital Futures: Lumen Big Reveal | ||
Irini Papadimitriou, Jack Addis, Andy Lomas, Laura Dekker, Karl Singporwala & Patrick Tresset | Digital Futures: Lumen Big Reveal | Paper |
Showreels | ||
Daniel Buzzo | The Time Machine: A Multiscreen Generative Video Artwork | Paper |
Shannon Cuykendall, Steve DiPaola, Reese Muntean, Prophecy Sun | Fractured Perspectives: Movement and Light | Paper |
Anastasia Tyurina | Watermarks | Paper |
Workshops | ||
Carl H Smith, Jazz Rasool, Nick Lambert, Robert Pepperell, Tony Langford & Kim Veltman | Natural Media Workshop | Paper |