EVA London 2018
BCS Covent Garden, London, UK 11th - 13th July 2018
J.P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.) EVA London 2018: Electronic Visualisation & the Arts. Proceedings of a conference held in London 11th-13th July 2018. BCS, The Chartered Institute for IT, 2018.
Documentation
Papers
| Author(s) | Title | Paper |
|---|---|---|
| Symposium | ||
| Jonathan P. Bowen, Tula Giannini, Gareth Polmeer, Carla Gannis, Jeremy Gardiner, Jonathan Kearney, Bruce Wands & Jon Weinel | States of Being: Art and identity in digital space and time | Paper |
| Virtual Space & Architecture | ||
| Hanna Haaslahti & Tyler Henry | Cosmetic Space | Paper |
| J. Kirk Irwin | Geo-locating Ruskin's Mornings in Florence and Jeanneret's Sketches and Watercolours from his 1907 Voyage | Paper |
| Lindsay W. MacDonald, Erica Nocerino, Stuart Robson & Mona Hess | 3D Reconstruction in an Illumination Dome | Paper |
| Robert B. Lisek | AIA: Artificial intelligence for art | Paper |
| Art, Heritage & the Internet | ||
| Han Bao | Review of Chinese Social Media Platforms Focusing on WeChat and Weibo: Digital curating and cultural promotions | Paper |
| Rameshnath Krishnasamy, Sara Khan & Claudio Germak | Mixed Reality Game Using Bluetooth Beacons for Exhibitions | Paper |
| Digital Futures | ||
| Irini Papadimitriou & Jonathan P. Bowen | Digital Futures: Exhibits at EVA London 2018 | Paper |
| Digital Art & Conservation | ||
| Bruce Wands | 25 Years of Curating Digital Art: 1993-2018 | Paper |
| Graham Diprose, Michael George & Robin Darwall-Smith | An Alternative Method of Very Long-term Conservation of Digital Images and their Historical Context for The Archive, University College, Oxford | Paper |
| Foteini Valeonti, Andrew Hudson-Smith, Melissa Terras & Chrysanthi Zarkali | Reaping the Benefits of Digitisation: Pilot study exploring revenue generation from digitised collections through technological innovation | Paper |
| Anna Olszewska | Senster 2.0: Cultural context of media art curatorship | Paper |
| Keynote | ||
| Malcolm Garrett | Not Merely Physical | Paper |
| Art & Exhibitions | ||
| Volker Kuchelmeister, Lily Hibberd & Alex Davies | Affect and Place Representation in Immersive Media: The Parragirls Past, Present project | Paper |
| Katrin Wolf, Jens Reinhardt & Markus Funk | Virtual Exhibitions: What do we win and what do we lose? | Paper |
| Esther Rolinson & Sean Clark | Digital Structures and Light Movements | Paper |
| Digital Emotion | ||
| Gretchen Andrew | Search Engine Art: Internet Imperialism and the image in context | Paper |
| Laura Dekker | An Architecture for an Expressive Responsive Machine | Paper |
| Paul O'Dowd | Robot Poetics: Toward a materially sensitive drawing robot | Paper |
| Research Workshop | ||
| Eugenia S. Kim | Constructing a Dance Pathography: Integrating the performing arts, multimedia and digital medical humanities | Paper |
| Jairo Zaldua & Nicola Green | Imaginary Friends | Paper |
| Francesco Soave & Raffaella Folgieri | Brainwaves and Sound Synchronisation in Dance Performance | Paper |
| Elisavet Christou | Internet Art, Google and Artistic Practice | Paper |
| Liam Noah Jefferies | The New Spectacle: How effective is mobile Augmented Reality as tool for the manifestation of dissent? | Paper |
| Bushra Burge | Costume Embedded Haptics with Virtual Reality for Immersive Storytelling | Paper |
| Otniel Altamirano, Cristina Portugal & Monica Moura | Transmedia Digital Inclusion | Paper |
| Lydia Smolin & Katrin Wolf | Who's Watching? A feminist urban video installation | Paper |
| Heritage & Algorithms | ||
| Moshe Caine, Doron Altaratz, Lindsay MacDonald & Amit Reem | The Riddle of the Crosses: The Crusaders in the Holy Sepulchre | Paper |
| Shing-Tai Pan, Chih-Hung Wu, Chen-Sen Ouyang & Ying-Wei Lee | Emotion Recognition from Speech Signals by Using Evolutionary Algorithm and Empirical Mode Decomposition | Paper |
| Rehan Zia | Rehan's Zone System | Paper |
| Jonathan P. Bowen, Terry Trickett, Jeremy B. A. Green & Andy Lomas | Turing's Genius - Defining an apt microcosm | Paper |
| Computer Arts Society - CAS 50 | ||
| Sean Clark & Nick Lambert | CAS: 50 years of digital art | Paper |
| Museums & Artists | ||
| Stefania Boiano, Ann Borda, Guiliano Gaia, Stefania Rossi & Pietro Cuomo | Chatbots and New Audience Opportunities for Museums and Heritage Organisations | Paper |
| Tula Giannini & Jonathan P. Bowen | Of Museums and Digital Culture: A landscape view | Paper |
| Michele Barker & Anna Munster | Moving Data: Artistic tendencies in visualising human and non-human movement | Paper |
| Aphra Shemza | It Starts with the Artist: Solutions for a sustainable media arts practice | Paper |
| Keynote | ||
| Cecilie Waagner Falkenstrøm | ARTificial Intelligence: From Frankenstein to FRANK | Paper |
| Science & Art | ||
| Maria Almena | Transcendence: Can live performance art in combination with interactive technology induce altered states of consciousness? | Paper |
| Volker Kuchelmeister | The Virtual (Reality) Museum of Immersive Experiences | Paper |
| Aphra Shemza, Oliver Gingrich & Maria Almena | FLUX Events: Current trends in contemporary media arts | Paper |
| Algorithmic Art | ||
| Cristina Portugal | Grumari: Digital storytelling | Paper |
| Dario Srbic | (De)generative Art: Rules-transgressing algorithms | Paper |
| Visualisations | ||
| Rod Dickinson | Fear Filter: Visualising the UK terror threat level | Paper |
| David Pao, John Stevens, Dan Lockton & Netta Weinstein | Electronic Medical Records: Provotype visualisation maximises clinical usability | Paper |
| Elke Reinhuber, Ross Williams & Benjamin Seide | The Scale of Immersion: Different audio-visual experiences exemplified by the 360° video Secret Detours | Paper |
| Demonstrations 1 | ||
| Nick Lambert, Mehmet Mulla & Seungyeon Ryu | HoloDash: A holographic interface for autonomous vehicles | Paper |
| Ian Truelove | Ultra-infra: Becoming skin | Paper |
| Phil Shepherd | 3D Visual Thinking | Paper |
| 3D Spaces | ||
| Yi Ji & Sean Clark | The Virtual Recreation of a Ming Dynasty Pailou Gate | Paper |
| Julian Stadon | Towards a Transdisciplinary Method: Teaching and research practices in immersive spaces and mixed realities | Paper |
| Interdisciplinary | ||
| Teodora Kuzmanova, Nick Higgett, Mark Sims, Jim Clemmet & Eric Tatham | 3D Technology as an Effective Tool for Reflection Simulation: The Beagle 2 Lander on Mars | Paper |
| Luca M. Damiani, Kat Braybrooke & John Philip Sage | Temporary Techno-social Gatherings? A (hacked) discussion about open practices | Paper |
| Paris Xyntarianos-Tsiropinas, Thomas Spyrou & Konstantinos Bailas | Using Design to Support the Creation of Street Art: A three-phase experiment supported by the DDArtS system | Paper |
| Greg Corness & Kristin Carlson | Physicalizing Time Through Orientational Metaphors for Generating Rhythmic Gestures | Paper |
| Keynote | ||
| Kate Hennessy | Collaborative Practices and Decolonial Media Production for Museums | Paper |
| Performance | ||
| John Hillman & Ravi Deepres | Entrelacé: How technology, movement and visuals are interlaced in the film design for The Royal Ballet's Woolf Works | Paper |
| Ágnes Karolina Bakk | Analogue and Digital Immersive Experiences: What should digital creators learn from live theatre makers? | Paper |
| James Simpson | How do you know when you have created a bad production? | Paper |
| Demonstrations 2 | ||
| Massimiliano Tonelli | Movies for the Ears to Come | Paper |
| Derek J. Smith | On Cognitive Primitives and Trick Photography | Paper |
| Julian Stadon | Revisiting the Cloud/s: Interfacing open weather data for live audio-visual performance | Paper |
| Batudan Bintas | Cyber Rabbit: Adventures in Cyberland | Paper |
| VR & AR | ||
| Tony Langford, Alistair Burleigh, Nicole Ruta & Robert Pepperell | New Immersive Media to Broaden Attention and Awareness | Paper |
| Matthew McGinity | La Dispersion du Fils: Into regions of incomprehensibility | Paper |
| Carl H Smith & Sarah James | The Seventh Ray: A Mixed Reality initiation experience | Paper |
| Data & Art | ||
| Oliver Gingrich, Evgenia Emets & Alain Renaud | Aura: A holographic brainwave interface | Paper |
| David Upton | The Invisible Arp | Paper |
| Gareth Proskourine-Barnett | Fractured Perspectives | Paper |
| Richard Carter | Airbourne Inscription: writing with drones | Paper |
| Music | ||
| Julie Watkins | Creating Affective Visual Music | Paper |
| Terry Trickett | Architecture as Music, A personal journey, through time and space | Paper |
| Oliver Gingrich, Evgenia Emets, Alain Renaud & Stephen Stansfeld | KIMA: Noise: A visual sound installation on urban noise | Paper |
| Research in Education | ||
| Nick Lambert & Brigitta Zics | Ravensbourne University London: MA and MSc Courses | Paper |
| Tobias Revell | University of the Arts London, London College of Communication. MA Interaction Design Communication | Paper |
| Theodoros Papatheodorou | Goldsmiths, University of London, MA/MFA in Computational Arts | Paper |
| Jonathan Gander, Andrew Haslam & Julian Rodriguez | Kingston Schools of Art: Departments of Graphic Design, Illustration Animation, Film & Photography and Cultural Industries | Paper |
| Eleanor Dare & Libby Heaney | Royal College of Art, MA Digital Direction, MA Information Experience Design | Paper |
| Ian Willcock | University of Hertfordshire, Postraduate Media, School of Creative Arts | Paper |
| Damon Daylamani-Zad & Darrenlloyd | Gent University of Greenwich, BSc (Hons) Games Design and Development | Paper |
| Lizzie Jackson | London South Bank University, School of Arts and Creative Industries | Paper |